Produktionen

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With the combination of archive and professional production, the German Dancefilm Institut is a unique institution in Europe.

We create productions for TV-stations about current events in dance and features about specific themes of dance. Editors and film-makers use the archive for their reports on dance. Apart from video-documentations for companies and choreographers, the institute also creates multi-media and print productions.

Most of the institute’s productions are available for non-commercial usage as VHS-copie or DVD for a fee.

The German Dance Film Institute is a document archive, in which the stocks are only available on site. Other potential uses arise after consultation with rights holders for specific inquiries. 

Synapsis, Tadashi Endo 6th Tele Dance Journal 2002/03
Tanz im Neuen Jahrtausend Spielzeit 2002 / 2003
Edition Teletanz-Journal 3sat, Goethe-Institut D 2002 01:30 h

6th TELE DANCE JOURNAL

Dance in the new millenium
2002/2003 Season

A co-production of the
and docarts.
Produced for 3sat and the Goethe Institut.

Into the Blue, Jan PushBeizeiten II, Anna HuberProject, Xavier Le RoyBegehren, Reinhild HoffmannSynapsis, Tadashi Endo

 

Although dance has firmly established itself within the landscape of theatre, it yet remains its most endangered branch. Exceeding the scope of the preceding journals, this film discusses the situation of dance in Germany within an European context. Eight chapters look at the aesthetic developments of dance.

Authors: Heide-Marie Härtel, Ulrich Scholz, Hartmut Sebel, Amadou Seitz, Gabriele Wittmann
Further involved: Urs Dietrich, Irmela Kästner.

90 min

> Chapters

 

 

Nik Haffner im ZKM KarlsruheTanz-Teatr 2003 Internationales Festival St. PetersburgUrbane Rituale, Tanzinitiative Hamburg

 

6th TELE DANCE JOURNAL
CHAPTERS

Dance in the new millenium
2002/2003 Season

ERBEN UND BEERBTE
Ausdruckstanz zwischen Exil und Zukunft
(Testers and Testators -
Expressionist dance between exile and future)
Karmiel Dance Festival, Israel;
Laban Center, London;
Urbane Rituale (Urban Rituals), Hamburg

AUSGETANZT?
(Done Dancing?)
Josephine Ann Endicott, Nik Haffner, Susanne Linke

KEIN WEG ZURÜCK
Perspektiven nach der Jahrtausendwende
(No Return -
Moving on after the millenary)
Tom Plischke, Xavier Le Roy, Felix Ruckert.

EXIT
Wege aus der Zentralperspektive
(Escaping the Central Perspective)
Deborah Colker, William Forsythe, Wanda Golonka, Angie Hiesl, Anna Huber, Tanzcompagnie Rubato, Henrietta Horn, Marguerite Donlon, Jan Pusch

STIMME IN BEWEGUNG
Choreografen inszenieren Oper
(Voice in Motion – Choreographers producing Opera)
Reinhild Hoffmann
Rosamund Gilmore
Johann Kresnik

JUNGE CHOREOGRAFEN
(Young Choreographers)
Dance in the years 2002-2003
Academy of Arts, Berlin:
Crocodile in the Swanlake
Congress Vienna: Tanz anderswo
(Dance elsewhere)

IN BETWEEN
Die Zeit dazwischen
(The Time In Between)
Paul-André Fortier, Tadashi Endo, Mitsuro Sasaki,
Schloss Bröllin – ex…it 3, VA Wölfl

TANZ AUF DER SCHWELLE
Dialog der Kulturen – Ost trifft West
(Dance on the Threshold.
Cultures in Dialogue – East Meets West)

Pina Bausch in Istanbul, Sasha Waltz and Palucca School in St. Petersburg, Urs Dietrich in Taschkent

Valerie Preston-Dunlop, Laban LondonIm Bade wannen, Susanne LinkeZukunft erinnern, Tanzcompagnie rubatoBegehren, Reinhild HoffmannAusstellung Krokodil im Schwanensee

Nefes, Pina Bauschex...it '03, Bröllin







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D'avant, Sidi Larbi Cherkaoui, u.a. 5th Tele Dance Journal 2001/02
Eine unkommentierte Übersicht über die Spielzeiten 2001 - 2003
 Edition Teletanz-Journal Goethe-Institut D 2001 01:30 h

German Dance Film Institute Bremen/ Production/ Edition Tele
Dance Journal


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Le cri du Cameleon, Josef Nadj Tanzherbst On Tape (“Autumn of Dance” on Tape)
Festivalbericht 1999
 Documentations of Events Edition Tele Dance Essay Tanz Bremen e.V., Deutsches Tanzfilminstitut Bremen Bremen D 1999 00:35 h

Festival “Autumn of Dance”, Bremen 1999

Realisation: Hartmut Sebel
Editor: Heide-Marie Härtel
Co-Production: Tanz Bremen e.V.,

1999, 35 min.

A camera workshop of the , directed by Heide-Marie Härtel, used the opportunity of the Autumn of Dance in 1999 to exchange experiences about the making of documentaries.

Young journalists and film makers were able to experience that the documentation of dance has its own laws. A confrontation of the dancers’ movement on stage with the dynamics of the camera’s eye and the tripod’s position. This track was further followed in the workshop about the editing of dance videos in the context of the festival “30 years of dance theatre Bremen”.

Hartmut Sebel’s documentary presents a thematic contribution, reconstructing the festival’s progress and presenting interviews highlighting the organisers’ motivations.

This film does not pose as a traditional TV feature, but as a visual festival programme, allowing the audience to re-experience the festival without commentary and just by its imagery and textual information alone.

Le cri du Cameleon, Josef Nadj7 Soli im Gerhard-Marcks-HausSusanne Linke im InterviewSusanne Linke im InterviewGerhard Bohner, Ausstellung mit Fotografieen von Gerd Weigelt Demersum in Aeternum, Ronaldo NavarroEs wird schon...Honeymoon in Paraguai, Susanne LinkeWorkshop mit Paulo Ribeiro

 

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