With the support of the regional association TanzSzene Bremen, we are resuming our well-established format, the TANZSALON.

As before, it will take place on the 10th of every month at 8:00 pm at TAFI – regardless of which day of the week the 10th falls on.

Many of you have told us how much you missed the TANZSALON as a place of encounter and exchange within Bremen’s dance scene. Since the last time, quite a lot has happened – at TAFI, but surely also with you: new productions, new films, new guests.

We warmly invite you to celebrate the first TANZSALON after the long break with us. The evening’s theme will be TAFI’s latest documentary: “Vulnerably Beautiful. Dance between Elegance and Risk – A Study by Goethe University Frankfurt.”

The film accompanies a medical study on physical strain in professional dance. Prof. Dr. Dr. Eileen Wanke of Goethe University Frankfurt, head of the research project, will introduce the topic.

Drinks will be provided – just bring yourselves, and feel free to bring along new people and friends.

Friday, October 10 at 8:00 pm
Deutsches Tanzfilminstitut Bremen
Am Wall 201 / Forum am Wall
Entrance Ostertorstraße, next to the bakery

Translation by ChatGPT

How is artificial intelligence changing the way we work with film, AV media and archives? What opportunities and challenges arise for research, archiving and mediation? The public working session of the Film AV & Media DACH working group, which is taking place as part of BiblioCon in Bremen, is dedicated to these questions.

Under the title ‘AI in Film and Media’, experts from Germany, Austria and Switzerland will come together to discuss the latest developments. The programme includes contributions from the Film Institute Hanover, the FID Media (formerly FID Film, Media and Communication Science / MediaRep) and the AV-Portal of the TIB Hanover – supplemented by insights into local institutions and projects.

A special highlight of the programme is a visit to the German Dance Film Institute Bremen, the world’s largest archive for dance film. The tour will provide an insight into the combination of decades of archive practice with new digital and AI-supported perspectives.

The session is open to the public and invites all interested parties – for information, discussion and networking at the interface of media studies, practice and technology.

Translated with DeepL.com (free version)

On Wednesday, June 18th, the Hochschule für Künste class Cinematic Spaces visited the Deutsches Tanzfilminstitut, where we were greeted by the institute’s director, Heide-Marie Härtel. As she guided us through the premises, we were introduced to several facets of the institute—one major highlight being the opportunity to see where many original dance films are digitized for the archive. The digitization studio features a fully customized system that accommodates a range of analog moving-image formats. Multiple dance films (from various time periods) play simultaneously on a collection of stacked CRT television monitors, and the entire experience of seeing such a system at work feels akin to stepping into a multi-channel video installation—dedicated solely to dance film.

Throughout the tour, our class was given glimpses into several examples from the institute’s extensive archive of dance videos, as well as other films that document a history of collaborative projects between the Deutsches Tanzfilminstitut and numerous international partners. Several of the dance works shown incorporated elements of the visual arts, including video, sound, sculpture, and multimedia installation. In essence, we were invited to consider dance and the stage as another possibility for what a “cinematic space” could embody.

Alex Beriault

Can a body over 50 still dance? And if so, how? This guest lecture deals with this question.

Susan Barnett, dancer and dance teacher from Bremen, was invited to give this lecture. Barnett comes from Wales, has danced internationally – including with the Ballet Municipal de Santiago and in Hans Kresnik’s ensemble – and has been a freelance dancer for many years. With a Master’s degree in Dance Science and a wide range of projects between stage art, dance education and community dance, she deals intensively with the topics of body, age and expression.

In professional dance in particular, age often seems to be a criterion for exclusion. While mature artists and (fewer) female artists are still on stage in film and theatre, professional dancers often disappear from the limelight at an early age. What are the reasons for this? Is it an outdated ideal of eternal youth, agility and peak physical performance?

But dance can do more. Mobility, joie de vivre, expression – all of this can be maintained and even enhanced into old age.

This guest lecture ‘Age on Stage’ therefore focussed not only on the question of health benefits, but above all on artistic perspectives:

Is getting older on the dance stage really a taboo?
What new forms of expression emerge when the body emphasises qualities other than bounce and speed?
And how can images of age be shifted in art?

‘Age on Stage’ is an invitation to rethink dance: not as a privilege of youth, but as a lifelong form of movement and expression.