Sorry, this entry is only available in Deutsch.
Alle Termine | Filmvortrag | Dreharbeiten
(Deutsch) TANZ Bremen Festival 2022 Bühne frei für TANZ Bremen 2022 |
Dreharbeiten | TANZ Bremen | Bremen | D | 4.5. bis 15.5.2022 |
Sorry, this entry is only available in Deutsch.
In this piece, among other things, the value of artistic work from past eras and its lasting effects on today’s creative work are questioned. Among other things, the waste pyramid is interpreted in a cultural-historical context.
Recycling and reuse are omnipresent on stage and shape the development process of the new production.
This material cycle is examined and stretched into artistic approaches and realisations. In this way, a poetic-satirical study of our being in a time full of tension is presented.
The team of tanzbar_bremen is supported by Delia Nordhaus, the director of the Upcycling Gallery Wallerie, as well as by Prof. Dr.-Ing. Henning Albers, who is working on recycling in the field of environmental and bioengineering.
Tickets: 19 € / con. 9 €
Tickets available via the Theater Bremen.
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Details
Concept and choreography: Günther Grollitsch in collaboration with the dancers
Dance: Jenny Ecke, Till Krumwiede, Corinna Mindt, Oskar Spatz, Adrian Wenzel
Dramaturgy: Tom Bünger
Stage design: Delia Nordhaus, Janina Mau
Costume: Lui Nilson, Katja Fritzsche
Production management: Stina Hinrichs
Production
tanzbar_bremen in cooperation with Theater Bremen
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Supported by the Senator for Culture Bremen.
Funding: Fonds Darstellende Künste aus Mitteln der Beauftragtenderder Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR, Karin und Uwe Hollweg Stiftung sowie Waldemar Koch Stiftung.
Premiere on 27 April 2022, 8pm
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As part of TANZ Bremen 2022 on 06 May 2022, 6pm
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The team of the German Dance Film Institute Bremen is pleased to document the premiere on film
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Sorry, this entry is only available in Deutsch.
Sorry, this entry is only available in Deutsch.
Many facets become visible in the almost 40 portraits of Bremen’s dance practitioners, which were commissioned by the Landesverband TanzSzene Bremen and captured by photographer Marianne Menke.
While looking for a photo setting, Marianne Menke came to the Tanzfilminstitut: together with Heide-Marie Härtel, she developed the idea of using the photo setting at the institute as a backdrop for a personal interview with the respective artist. Together with existing film material from the Dance Film Institute’s archive and supplemented by current film footage from the ballet schools and dance studios as well as rehearsals in progress, the informative series of short portraits was created: “moving faces” show the protagonists in their professional environment.
The result is 36 video clips of about three minutes, which reflect the high level of professionalism, the artistic diversity and the whole range of creative work of dance artists who come to Bremen from all over the world.
The series of short portraits shows the protagonists in their professional environment.
The film clips were realised by the team of the German Dance Film Institute and Médoune Seck.
The video portraits of the participating artists will be online on the homepage of the Landesverband TanzSzene Bremen from 12.12.2021 and can be accessed there under “TanzSzene“.
The team of the German Dance Film Institute Bremen would like to thank all participants for their creative collaboration.
Supported by DIEHL+RITTER/TANZPAKT RECONNECT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative. Aid Programme Dance
Deutscher Tanzpreis 2021. The Gala |
Dreharbeiten | Dachverband Tanz Deutschland / Aalto-Theater Essen | Essen | D | 23.10.2021 um 18.00 Uhr |
On Saturday, 23 October 2021, the German Dance Award will be presented at the Aalto Theatre in Essen – the most prestigious award for dance in Germany. The award ceremony is embedded in a top-class dance gala programme with contributions from classical ballet, dance theatre and contemporary dance.
The German Dance Prize 2021 will be awarded to the founder and director of the German Dance Film Institute Bremen, Heide-Marie Härtel. Her life’s work is associated with a globally outstanding institution and the impulse to capture dance in the medium of film and to bring it to new life.
Honours will also be awarded to ballet teacher Ursula Borrmann, choreographer Claire Cunningham and trade unionist Adil Laraki.
One of the highlights of the evening will be the pas de deux from John Cranko’s “Eugene Onegin” danced by the Stuttgart Ballet as well as Reinhild Hoffmann’s “Solo with Sofa”.
Siham El-Maimouni, presenter at Westdeutscher Rundfunk, will accompany the audience through the evening.
Details on the programme of the gala can be found here [click].
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The ticket for the live streaming can be purchased online at the following link: click here.
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You can optionally copy the following link: https://www.eventbrite.de/e/deutscher-tanzpreis-2021-tickets-166287537501
The team of the German Dance Film Institute Bremen is especially pleased to document the gala on film this year.
“The aims of the funding in the NEUSTART KULTUR programme are the development of innovative choreographic/artistic formats and the testing of new recording and production formats – e.g. working with body cams. e.g. working with body cams, 3D and 360° recording techniques, VR and AR applications, streaming and video-on-demand productions, format development for social networks and gaming.” Dachverband Tanz Deutschland
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Making Ofs of the German Dance Film Institute Bremen as part of the project
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Working with digital media has become an absolute reality in the dance field. However, it is more a component of internal work processes than a topic with social and aesthetic weight in the productions. Choreographers use new technologies in a light-hearted and practical way to support the production process or as a visual tool as part of the production, often in the area of set design.
The use of digital media has become an absolute reality in the dance field.
The project “tanz:digital” by the umbrella organisation Tanz Deutschland is dedicated to the issue that goes beyond this: what happens when dance and digital technology come together in an equal dialogue for a result that is not even necessarily connected to a stage, but perhaps can only be received on the worldwide Internet? For this, 14 individual productions have been selected that encompass a whole range of altered modes of production and reception.
The German Dance Film Institute Bremen has set itself the task of building a bridge between the motivation of the realising artists and the focused circle of users. In concrete terms, this means that “making-ofs” will be created for about 10 individual projects, preparing potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.
The Making Ofs will accompany the highly unique production process of the selected projects on one day of shooting each, thus making the choice of technical, aesthetic, possibly also pedagogical means accessible to a wide audience in a film of about 10 minutes each. Interviews with the artistic directors and other project participants complement the film report.
WissensWandel. Digital programme for libraries and archives within NEUSTART KULTUR |
Digitalisierung | dbv Deutscher Bibliotheksverband und NEUSTART KULTUR | digital | D | 2021/22 |
The German Dance Film Institute is very pleased that its application within the framework of “WissensWandel. Digital programmes for libraries and archives within NEUSTART KULTUR” has been selected as a lighthouse project. You can find out more about our project for the digital mediation of dance history here shortly.
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A project within the framework of “WissensWandel. Digital Programme for Libraries and Archives within NEUSTART KULTUR”. The “WissensWandel” programme of the German Library Association is funded by the Federal Government Commissioner for Culture and the Media. The NEUSTART KULTUR programme aims to restart cultural life in Germany in times of Corona and beyond by empowering cultural institutions to reopen their houses, programmes and activities. More information on the programme “WissensWandel” can be found at: www.bibliotheksverband.de/wissenswandel
Wissenwandel.Digitalprogramm für Bibliotheken und Archive within Neustart Kultur is funded by the Federal Government Commissioner for Culture and the Media and is launched by dbv Deutscher Bibliotheksverband.
DANAMOS. dance art native motion system. By Martin Puttke |
Dreharbeiten | Martin Puttke und Dt. Tanzfilminstitu Bremen | Darmstadt, TU Departement of Human Sciences, Locomotion Laboratory | D | 29.+30.9.2021 |
“Learning by doing” has always been the basis for learning dance. Professor Martin Puttke, leading dance educator and former director of the German State Ballet Berlin and the Aalto Ballett Theatre Essen, wants to revolutionise this tradition with his concept “DANAMOS -dance native motion system”. With DANAMOS, Puttke brings together dance didactics, music, neurocognition and biomechanics in an unusual way.
The team of the Dance Film Institute has documented some experiments of this groundbreaking training technique in the Locomotion Laboratory at the TU Darmstadt, Department of Human Sciences, Lacomotion Laboratory. The gains and progress of Puttke’s training principles are made convincingly visible with the help of state-of-the-art digital technology “motion capture”. Many thanks to Maximillian A. Stacia and his team.
Robert Schad. Dancing sculptures in the park |
Dreharbeiten | Krähnholm, Gerhard-Marcks-Haus | Bremen, Knoops Park | D | 7.9.2021 |
It is not surprising that the German sculptor Robert Schad was particularly influenced by dancers and choreographers: his sculptures are slender steel structures that, despite the hardness of the material they are made of, give to viewer the fleeting impression of a moving body.
In the project Tanzender Stahl, the team of the Deutsches Tanzfilminstitut illustrates Schad’s sculptures at the Gerhard-Marcks-Haus and Knoops Park in Bremen, highlighting their connection to dance.
It has now been possible to bring the guest performance of the Swiss dancer ANNA HUBER, which was cancelled due to Corona, to Bremen in the context of the exhibition “Bremen vierkant” by the steel sculptor ROBERT SCHAD. With a delay of more than a year, Anna Huber will not dance in the Gerhard-Marcks Haus as originally planned, but in the Robert Schad exhibition of the Kränholm Foundation in Knoops Park. She dances to live music by Martin Schütz, cello.
Robert Schad will also be present.
Lightness and movement interest the steel sculptor Robert Schad, whose square-steel sculptures come across as weighing tons, rising gracefully higher and higher into the sky, striding through a room as if on spikes, or – more rarely – seeming to wind gently across the floor. His early artistic exchange with the dancer and choreographer GERHARD BOHNER marked the beginning of his artistic dialogue with dance makers. Robert Schad entered into a reciprocal exchange, often lasting for years, with renowned personalities such as the dancers and choreographers SUSANNE LINKE, FINE KWIATKOWSKI, RUI HORTA, AVI KAISER, URS DIETRICH and ANNA HUBER.
Please observe the current hygiene regulations.
At the Battle of Ohamakari, large parts of the Herero were killed by German colonial troops. An event in the Nelson Mandela Park in Bremen commemorates the genocide in Namibia from 1904 to 1908.
On 11 August 2021 hrs, the annual commemoration in memory of the victims of the genocide in Namibia will take place at the AntiColonialMemorial “The Elephant!”
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In January 1904, the Herero population group in what is now Namibia revolted against the German colonial rulers. Lieutenant General Lothar von Trotha finally led the conflict for the German Empire as a war of extermination. The genocide began with the “Battle of Ohamakari” (“Battle of the Waterberg”) on 11 August 1904. The colonial war and the systematic persecution and extermination of the three ethnic groups continued until 1908. At that time, the German Schutztruppe also carried out murder campaigns against the San. Up to 90,000 people were murdered in the process; they died through military violence, by dying of thirst and starvation on the run or from forced labour in the concentration camps of the German colony. The massacres of the Herero and Nama in what is now Namibia by German colonial troops are considered the first genocide of the 20th century, as claimed for years by the descendants and survivors of the genocide.
PROGRAM
- Greeting: Anja Stahmann (The Senator for Social Affairs, Youth, Integration and Sport)
– Dance performance “MOTHER AFRICA and the Elephant” with Joël Lawrence Detiège and Kossi Sebastian Aholou-Wokawui (Contributing projects Patch-Sew-Dance and ≠ Repräsen-Dance)
– Words of remembrance: Prof. Dr. Manfred Hinz (Bremer Afrika-Archiv e.V.)
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- Minute of silence and laying of flowers
The commemoration is under the patronage of Mayor Dr Andreas Bovenschulte, President of the Senate.
Organisers: Landeszentrale für politische Bildung Bremen, Senatskanzlei (Bremen), Der Elefant! e.V. Bremen, Afrika Netzwerk Bremen, Bremer Afrika-Archiv e.V.
Afrika Netzwerk Bremen.
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The team of the German Dance Institute Bremen is pleased to be able to document the dance performance on film.
Vienna’s most important galleries and international highlights make up the field of participants at the first SPARK Art Fair Vienna. They show a balanced mix of established positions and young, emerging artists. In the three curated sections “Utopia: Post-War” by Sabine Breitwieser, “Perspectives” by Tevž Logar and “Interface – Contemporary New Media and Digital Art” by Marlies Wirth, digital art forms, film, dance and photography, among others, can be seen.
In addition to international greats such as Lawrence Weiner, Heimo Zobernig, Anna Boghiguian, Eva Beresin or Nadira Husain, new works by up-and-coming talents such as Sophia Süßmilch, Birke Gorm, Jonas Lund, Nschotschi Haslinger, Irina Lotarevice or Niko Abramidis & NE can be discovered at the fair. The programme is complemented by surprising insights into the works of 20th century art icons such as Nancy Spero, Stano Filko, Joseph Beuys or Maria Lassnig. With Jakob Lena Knebl, Austria’s contribution to the 59th Venice Biennale (together with Ashley Hans Scheirl) is also represented at SPARK.
Three Curated Sections.
The section “Interface – Contemporary New Media and Digital Art”, curated by Marlies Wirth, focuses on digital art and media art. An area of interest to curators, institutions, galleries and collectors alike, it addresses new and exciting possibilities of digital technologies.
The section “Utopia: Post-War”, curated by Sabine Breitwieser, is dedicated to the open and multiple narratives of post-war art. It includes solo presentations by local and international galleries in close relation to the selected artists*. Special features on experimental film and post-war dance expand the exhibition and address other forms of distribution.
The exhibition also includes a series of special features on post-war dance and experimental film.
The Perspectives section, curated by Tevž Logar, serves as a narrative link between the galleries and the individual artistic practices, defining the social and political frameworks that make thinking about processes of change possible in the first place.
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The German Dance Film Institute Bremen is pleased to invite curator Sabine Breitwieser to the SPARK ART FAIR VIENNA section “Utopia:Post-War”. Selected film contributions to the work of the Austrian Hans Kresnik, who lives in Germany, and the choreographer Susanne Linke will be shown in Vienna.