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BCurious – Summer Dance Workshops Ensembles Of Curious Natur and Zappalà Danza

TanzRaum Nord | Of Curious Nature und Scenario Pubblico | Compagnia Zappallà

Bremen - Schwankhalle + Zentrum für Kunst im Tabakquartier

30.06.-06.07.2025

The two international ensembles Of Curious Nature and Zappalà Danza launch the first joint workshop program for emerging dance talents.

Are you between training at an academy and a professional career? Or a professional dancer in Bremen? Then this is your chance! Immerse yourself in the working methods of two international companies. The choreographers and dancers from Of Curious Nature and Zappalà Danza will pass on their tools and moves directly to you – skills that otherwise only company members know. Inspiring guest teachers and an insider panel on how to get off to a successful start in the dance world complete the program.

FINAL SHOWING:
Sunday is the day: Clear the stage! Show what you’ve got and what you’ve created in the workshops. Free entry for all dance enthusiasts. Feel the vibes of the prospective professionals!

DO YOU LOVE DANCE, BUT NOT AS A PROFESSIONAL?
We have something for you too! Find out how dance works as a creative form of expression and how your body becomes an artistic tool. The dancers from Of Curious Nature will show you the basics of their intense movement techniques – skills for your own style!

The German Dance Film Institute team is documenting the Final-Showing

BREMEN DANCES! Through the City of the Future with the Dance Company Of Curious Natur
Mariko Koh mit Of Curious Nature

steptext dance project | StattReisen Bremen

06.-30.06.2025 (freitags)

Visiting the Hanseatic city is always worthwhile!

But what steptext dance project and StattReisen Bremen have now come up with is completely new!

The participants embark on a completely new form of city exploration, in which the international ensemble Of Curious Nature turns a city tour into an event through dance interventions.

The intense dance performances presented by the seven dancers of the Bremen-based company Of Curious Nature at selected locations are unique. The art connects with the city and revitalises the urban space in a unique way.

The route includes places that even Bremen residents are unlikely to have visited often: the roof terrace of ecos works spaces, the Bremen Cotton Exchange, the sculpture garden at the Bürgerschaft and the new university forum at Domshof.

The dancers from Of Curious Nature create poetic images that connect bodies and urban space and give rise to visions of a city centre of the future. In a special atmosphere, visual axes are artistically designed and create new perspectives with lasting impressions of the city centre.

The German Dance Film Institute team is documenting this event.

Translated with DeepL.com (free version)

ProdÁrt – Festival Diversity in Action

Bremen - Zentrum für Kunst im Tabakquartier

For all those who want to celebrate together the vision of a world in which all people – with and without disabilities – are equal.
To achieve and demand equality, every year on 5 May there is a day of protest for the equality of people with disabilities. Year after year, people take to the streets for this – there is still a long way to go.

On the occasion of the European Day of Protest for Equality for People with Disabilities.

The team of the German Dance Film Institute documents the festival.

Dance Medical Researchv. An interview with Prof Dr Dr Eileen Wanke

Deutsches Tanzfilminstitut Bremen

What happens to the joints of dancers who perform at the highest level every day? A research project at the Institute of Occupational, Social and Environmental Medicine at Goethe University Frankfurt, led by Prof. Dr Dr Eileen Wanke, is investigating this question.

The study focuses on the use of state-of-the-art motion capture technology: movement data was precisely recorded on dancers from the Oldenburg State Theatre during training and rehearsals. This technology makes it possible to visualise stresses on joints and muscles that are neither visible nor measurable to the naked eye.

The study also investigates how different dance floors affect the body. To do this, the dancers perform identical movement sequences on two different types of floor – with and without pointe shoes.

The German Dance Film Institute Bremen accompanied the project on film and spoke to Prof Dr Dr Eileen Wanke about the background, aims and initial findings. Her interview forms the core of a new film that shows that dance and science can complement each other productively – for the health of artists on and off stage.

Ferdy II von KOÏNZI-DANCE

Hamburg. Poolhaus Blankenese

From Gombrowicz’s diary: “You torment me with the question “What did you want to say with FERDYDURKE” I answer: ‘Be more sensual, less intellectual, try to dance with this book rather than approach its skeleton. Let it seduce you rather than ask why, ask if it is enticing, enchanting, passionate and courageous. May it lead you into reality, [...]…Pssst …. I’ve already said too much’!‘

With this in mind, Nele Lipp and her dancers Anna Grover, Nicole Gießler, Christa Krings and singer Corinna Meyer-Esche created the Ferdyfilm in the form of two ’Complete Fragments”. The second “fragment” was created with the help of the German Dance Film Institute Bremen.

Baile. Dance performance by Magali Sander Fett with the TanzkollektivBremen

TanzKollektivBremen

Bremen - Zentrum für Kunst im Tabakquartier

‘Baile’ aims to dissolve the boundaries between audience and performers and get everyone dancing. The basis of the coming together is Baile Funk, a dance that originated in the favelas of Brazil. The dancer Magali Sander Fett has learnt this dance style through research with Yago Morais and Héricles Garcia from Brazil, who are experienced in Baile Funk, and now wants to bring the dance to Bremen together with them.

The dance style is an expression of the attempt to find a collective, self-determined identity in the language of movement. Baile invites people to dance and at the same time asks: How can performers and audiences come together on stage and work together on a piece with different backgrounds and experiences? The choreographies of Baile Funk, the passinhos, form the basis for everyone: the dancers and the DJ explore the choreographic and musical structure of the dance. They complement and transform it with their own movement and sound vocabulary. ‘Baile’ becomes a ball for everyone, with or without dance experience.

The German Dance Film Institute team will document the performance.

Translated with DeepL.com (free version)

Movement under observation. In conversation with Heather Jurgensen ballettKIEL*
Dokumentation eines Forschungsprojekts des Instituts für Arbeits-, Sozial- und Umweltmedizin der Goethe-Universität Frankfurt unter der Leitung von Prof. Dr. Dr. Eileen Wanke

Heather Jurgensen, Acting Ballet Director of the Kiel Ballet, was recently invited to the German Dancfilm Institute Bremen. As part of a scientific film project, he talks to Heide-Marie Härtel about current differences in professional employment and about the approach to physical stress.

This interview is part of the research project of the Goethe-University Frankfurt on determining the risks of musculoskeletal occupations for dancer. Heather Jurgensen includes not only their contributions to the studio, but also enriched by their own experiences from the period as a long-term soloist at the Hamburg Ballet under the direction of John Neumeier.

She describes their personal approach with precautionary strategies and gives an overview of possible viable solutions to hair loss.

Excerpt from that interview finds itself in new documentary Vulnerably beautiful- Dance between Elegance and Risk, connecting the science and ruled Tanzpraxis in a fascinating way.

Dancing on safe ground. An Interview with Wolfgang Heuer on the influence of dance floors
Zum Forschungsprojekt des Instituts für Arbeits-, Sozial- und Umweltmedizin der Goethe-Universität Frankfurt unter der Leitung von Prof. Dr. Dr. Eileen Wanke

Deutsches Tanzfilminstitut Bremen

The right floor plays a decisive role in rehearsals and performances in professional dance: it not only influences the feeling of movement, but also the physical strain and the risk of injury.

Wolfgang Heuer, Deputy Head of the ‘Stages and Studios’ department at Unfallkasse NRW (DGUV), is contributing his expertise to the dance medicine research project under the direction of Prof Dr Dr Eileen Wanke. The focus is on the question of how different floor coverings affect the joints and the entire musculoskeletal system of dancers.

For the statutory accident insurance, such findings are of great importance: they provide an important basis for recommendations to theatres and training centres in order to make rehearsal and performance conditions as safe as possible.

Flesh and Flowers. TanzKollektivBremen

TanzKollektivBremen

Bremen - Zentrum für Kunst im Tabakquartier

“The TanzKollektivBremen is drawn to Paula Modersohn-Becker, or more precisely to her self-portraits. For this encounter with the works of the Worpswede artist, the dance collective is inviting reinforcements: Laura Alcalà Freudenthal from Barcelona is choreographing the dancers Magali Sander Fett and Neus Ledesma Vidal, inspired by the life and work of Paula Modersohn-Becker.

I am I, and I hope to become more and more I.

This is what Paula Modersohn-Becker wrote in a letter to Rainer Maria Rilke in 1906. She trusts in her art and constantly looks at herself anew through her art.

Alcalà Freudenthal turns the stage into a canvas that the dancers work on with their movements. This constantly creates new perspectives on her (own) work. Two bodies, incessant shaking, flowers and skin. Everything is always new.

Isn’t it true that we only become something when we move?

‘Flesh and Flowers’ is being created as part of TanzKollektivBremen’s residency at the Centre for Art during the 2024/25 season. Funded by the Senator for Culture.”

The team from the German Dance Film Institute documents the performance.

Translated with DeepL.com (free version)

Dance can be a form of optimism.” Patricio Bunster – choreographer from Chile in exile in the GDR. Exhibition

Ausstellungsbeteiligung

Dresden - Palucca-Hochschule für Tanz

“Dance can be a form of optimism that leads to the realisation
that even in the greatest catastrophes you can get an inkling
that everything can be seen differently.”

The dancer and choreographer Patricio Bunster (1924-2006) found new opportunities to work as a political refugee from Chile in the GDR in 1973.

How did Patricio Bunster experience his exile in the GDR? Did
his artistic work change during this time? What was the impact of Bunster’s work at the dance academies in Dresden and Leipzig? How did modern dance develop in Chile after his return?

The Palucca University invites on its Open Day to
a public discussion with former students and companions of Patricio Bunster and presents films and archive documents on his life and work in the library villa (TG80) of the Palucca University.

Guests:
Raymond Hilbert
Prof. Dr. Peter Jarchow
Antje Ladstätter
Prof. Dr. Ralf Stabel
Moderation:
Prof. Dr. Patrick Primavesi
Angela Rannow

The team of the German Dance Film Institute documents the event.
Translated with DeepL.com (free version)

(Deutsch) Impuls schlägt Wellen. Die Jubiläumsveranstaltung zum 40-jährigen Bestehen

Bremen - Shakespeare Company

German Dance Award 2023 – Grand Dance Gala and Award Ceremony

Dachverband Tanz Deutschland

Essen - Aalto-Theater

At a festive dance gala on 12 October 2024, the Dachverband Tanz Deutschland presented the German Dance Award 2024 – the most prestigious award for dance in Germany.

Prolonged applause accompanied the awards for Dieter Heitkamp (honour for lifetime achievement) and explore dance – Netzwerk Tanz für junges Publikum (honour for outstanding development in dance) and for Sasha Waltz, who was awarded the German Dance Award 2024.
The award ceremony and the dance gala impressively presented the emotional and unifying power of dance, accompanied by WDR presenter Siham El-Maimouni.

Highlights included the opening of the evening by the Aalto Ballett Essen on its home stage with an excerpt from the ballet ‘Carmen’, an excerpt from the dance theatre ‘Chotto Desh’ by the Akram Khan Company, a pas de deux from ‘In the Middle, Somewhat Elevated’ by William Forsythe of the Staatsballett Berlin and an excerpt from ‘Radical Cheerleading’ by choreographer Zufit Simon. The dancers from Sasha Waltz & Guests delighted the audience with an excerpt from ‘In C’, a choreography by Sasha Waltz.

The laudators had touching words for the award winner and the honourees. Nele Hertling, who was honoured with the German Dance Award in 2018, on Sasha Waltz: “In addition to developing new pieces, performing in Berlin and giving numerous guest performances, Sasha Waltz is active on many levels and takes responsibility for her social environment (…). In addition to her artistic work, the development of innovative, interdisciplinary forms of performance and creation is a focal point of her work. (…) With its artistic work, the company Sasha Waltz & Guests stands for a democratic, open and diverse society with joint work in the encounter with the audience and an open discussion.”

Theatre scholar Gerald Siegmund emphasised that the lifetime achievement award for Dieter Heitkamp honours “(…) a restless artist, an innovative pedagogue, a cunning strategist and a tireless fighter for the cause of dance. (…) In the course of his “almost fifty years of commitment to dance in Germany and beyond, he has fearlessly made a great deal out of almost nothing. As an artist, as a teacher and as a mentor for future generations of dancers.”

Cultural politician Helge Lindh (Member of the German Bundestag) emphasised that explore dance is organised artistically and democratically, which is what makes the network so magical. The presence of society and young people is recognised and the power of development is taken into account. explore dance provides a wonderful service to democracy, which is why this network should be celebrated.

The team of the German Dance Film Institute documents the award ceremony gala.

Translated with DeepL.com (free version)

Dance Prize Cultural Salon PACT Zollverein 2024

Dachverband Tanz Deutschland

Essen - PACT Zollverein

On Friday, 11 October, the Tanzpreis Kultursalon took place at PACT Zollverein at 7 pm.

The Kultursalon offered visitors the opportunity to find out more about the art and work of this year’s award winners and honourees and to engage in dialogue with them. Sasha Waltz received the German Dance Award 2024, Dieter Heitkamp was honoured with a lifetime achievement award and explore dance – Netzwerk Tanz für junges Publikum was honoured for outstanding development in dance.

The evening’s dance was enriched by the explore dance production ‘Move More Morph It!’, choreographed by Anna Konjetzky. ‘Move More Morph It!’ is a mobile pop-up production for young audiences aged 8 and up and poses the questions: Who, how and what can I be? A body sets itself to music, providing the soundtrack for a journey through different identities, self-designs and fantastic characters. Large effects and subtle tones trick perception and awaken curiosity about a creative approach to attributions.

Michael Freundt, Managing Director of Dachverband Tanz Deutschland, hosted the programme and engaged in conversation with the award winner and the honourees on stage. The laudatory speeches for Dieter Heitkamp and explore dance are part of the evening. The laudatory speech for Sasha Waltz was held the following evening at the Aalto Theatre in Essen as part of a festive dance gala.

After the Kultursalon, visitors were invited to a reception where they could socialise and linger.

An evening full of encounters!

The event was offered with translation into German Sign Language (DGS) and audio description (AD).

The team from the German Dance-Film-Institute Bremen documented the festive gala and award ceremony.

Timeless Steps. Digitalisation at the German Dance Film Institute Bremen

Digitalisierung

Deutsches Tanzfilminstitut Bremen

At the German Dance Film Institute Bremen, the state-of-the-art digitisation department preserves unique cultural assets for future generations. Using professional equipment, even rare video formats and damaged recordings from different eras are read out, restored, digitised and permanently archived. In this way, dance history and audiovisual testimonies are kept alive.

Better a bird in the hand than … okay, screw it, I’ll do it differently now! Performance by Oskar Spatz with Tim Gerhards

tanzbar Bremen/ Theater Bremen

Bremen - Theater Bremen Brauhaus

“My name is Oskar Spatz. I’m a dancer, I’ve been dancing since 2007. My shoe size is 40/41. I weigh 70 kilos and my favourite food is rice with mince. I usually dance with my colleagues. But today I’m alone on stage. I’m looking forward to spending this evening with you. Because togetherness is warmth.”

Oskar Spatz turns his life upside down – together with Tim Gerhards. This special evening of dance is about successes and setbacks, about art, being human and his private life.

Oskar himself once decided to become a dancer. At the time, he didn’t know exactly what that meant. But he knew that he wanted it. He almost always knows what he wants.

Even now he has made a decision: He’s going on stage alone. In an hour-long solo show, he demonstrates what self-determination means – and what it’s like to live and work in a community. He invites everyone to be his guests.” Press release
—
The team of the German Dance Film Institute documents the performance.

Translated with DeepL.com (free version)

Dancing in the streets. DanceSpace North
"Tanz in allen Facetten, auf der Bühne am Marktplatz, umsonst und draußen. steptext dance project - Landesverband TanzSzene Bremen

steptext dance project / Landesverband TanzSzene Bremen

Bremen - Marktplatz

“Dance in all its facets, on the stage on the market square, for free and outside

Summer in motion: the popular dance festival ‘Dancing in the Streets’ is taking place again this year, transforming Bremen’s market square into an open-air dance floor. Many of those who make Bremen a versatile dance city will come together on the outdoor stage. In addition to the Of Curious Nature company, other dancers from the Hanseatic city and the surrounding area will be taking part. With a range of traditional dances from different cultural organisations to a variety of contemporary dance styles, the participants from all generations have already delighted audiences in previous years. That will be the case again this year. This time, dance fans and city walkers can also look forward to a special new highlight: several groups of diverse dance styles and dance cultures will come together under the direction of professional dancer Leila Bakhtali and present a joint choreography that will be premiered at ‘Dancing in the Streets’. In a fusion of styles, they make a strong and very Bremen statement in favour of cohesion in a diverse community.

The acts on the open-air stage begin with a look behind the scenes, a public training session by the professionals from Of Curious Nature. Afterwards, the city’s dance schools and various dance groups will present the breadth of their work. Also on the road again is the is the popular walking act Gassi Gäng.

With Dancing in the Streets, TanzRAUM Nord and steptext dance project, in cooperation with the Landesverband TanzSzene Bremen, show how dance can be integrated into every day and every place, thus sensually expanding our living environments. The audience stops or sits down, watches and enjoys, or moves on after brief moments, more exhilarated than before.”
(Press release)

Link to the event at steptext.net

The team of the German Dance Film Institute documents this event.

Dance medicine research meets ballet art. theatreKiel*
Dreharbeiten des Deutschen Tanzfilminstituts am Theater KielForschungsprojekt des Instituts für Arbeits-, Sozial- und Umweltmedizin der Goethe-Universität Frankfurt. Leitung Prof. Dr. Dr. Eileen Wanke

Instituts für Arbeits-, Sozial- und Umweltmedizin der Goethe-Universität Frankfurt

The team from the German Dance Film Institute Bremen is currently accompanying a dance medicine research project at Goethe University Frankfurt led by Prof Dr Dr Eileen M. Wanke. The focus is on analysing the movements of professional dancers during training and rehearsals. State-of-the-art cinematic measurement technology (motion capture) is used to collect data that should help to make the dance profession safer – and at the same time provide unique filmic insights into the work of the company.

(Deutsch) Eugen Onegin. Ballett von Yaroslav Ivanenko [ballettKIEL*]

10.07.24 um 19.00 Uhr

(Deutsch) Ballett ist Hochleistungssport. Forschungsprojekt soll Risiken minimieren

Prof. Eileen M. Wanke/ Ballettensemble des Oldenburgischen Staatstheaters

Oldenburg (Niedersachsen)/ Franfurt am Main

Balletttanz ist Hochleistungssport, auch wenn Sprünge und Drehungen mühelos aussehen. Unfälle, aber auch falsche Bewegungen bergen für die Tänzerinnen und Tänzer ein hohes Verletzungsrisiko. Ein Forschungsprojekt von Professor Dr. Dr. med. Eileen M. Wanke, Institut für Arbeits-, Sozial- und Umweltmedizin der Goethe-Universität Frankfurt am Main, soll nun aufzeigen, wie hoch die Belastungen sind und wie Verletzungen vermieden werden können. Mittels moderner Technik werden Belastungen und Herausforderungen sichtbar gemacht. Die Ergebnisse sind für Tänzerinnen und Tänzer und auch für Unfallkassen von großem Interesse.

Für diese Projekt kooperiert die Tanz-Medizinerin mit dem Ballettensemble des Oldenburgischen Staatstheaters und dessen Direktor Antoine Jully.

Das Deutsche Tanzfilminstitut Bremen ist mit der filmischen Dokumentation des Forschungsprojekts beauftragt.

(Deutsch) La mer en moi. Von Helge Letonja mit Kossi Sebastien A. Wokawui
Eine Produktion von steptext dance project in Koproduktion mit Of Curious Nature/TanzRAUM Nord

steptext dance project

Schwankhalle Bremen

11.05.2024 um 20.00 Uhr

(Deutsch) Kratt von Antoine Jully. Choreografische Uraufführung in Oldenburg

Oldenburgisches Staatstheater| Ballettcompagnie Oldenburg

Oldenburg (Niedersachsen)

Augusto Jaramillo Pineda. Film portrait of the dancer and actor [Premiere]
Premiere

Deutsches Tanzfilminstitut Bremen

22.04.2024 um 20.00 Uhr

In 2024, to celebrate his farewell from Young Artist, volunteers Yanitsa Genova and Viviana Sarri created a short video portrait to honour the artist Augusto Jaramillo Pineda.

Augusto Jaramillo Pineda is an actor, dancer, choreographer and teacher. Since the early 1990s, he has appeared in numerous theatre and film productions in his native Colombia. Together with the director and author Farley Velasquez Ochoa and other actors, he founded the internationally renowned theatre group TEATRO HORA 25. From 1999 to 2001, he taught contemporary dance at the EAFIT University in Medellín. His engagements in Germany have taken him to steptext dance project e.V. (steptext), as well as to the Bremer Theater and the Moks-Theater.

Seine Kunst beschäftigt sich oft mit zentralen Fragen der menschlichen Existenz und mythologischen Figuren, kombiniert mit Trash und Tiefe, Sinnlichkeit, Seele und Humor. Zu seinen Arbeiten zählen u.a. das preisgekrönte Solo über Frida Kahlo AÚN RESPIRO…Y?, die Trilogie LUZBEL, THANATOS und ADONAI, sowie LEANDRA – CROSS OVER IDENTITY und LOS DESAPARECIDOS.

Seit 2002 ist Augusto Jaramillo Pineda festes Mitglied von steptext. Im Jahr 2004 übernahm er die künstlerische Leitung der Young Artists. Im Rahmen regelmäßiger Trainings und intensiver Probenprozesse entwickelt er mit Bremer Jugendlichen internationaler Herkunft mit oder ohne Bühnenerfahrung Jugendtanztheaterproduktionen, die sich mit modernen Themen beschäftigen.

The film “Auguto Jaramillo Pineda – Dance Art Emotions” was premiered on the 22. April of 2024 in Deutsches Tanzfilminstitut Bremen.

(Deutsch) Der kleine Prinz aus Gröpelingen von Tanz im Lichthaus
Ein Ballett und Tanztheaterstück für große und kleine Menschen

Caroline Böhse-Krings, Tanz im Lichthaus

Bremen - Theater der Bremer Philharmoniker/ Tabakquartier

02.-03. 03. 2024

Diese Produktion von Caroline Böhse-Krings für und mit ihren Schülerinnen und Schülern der Tanzschule Tanz im Lichthaus bezieht die Geschichte des Kleinen Prinzen, der sich ganz alleine um seinen Planeten kümmern musste, auf die aktuelle Lage unseres Planeten und seine Bedrohung durch den Klimawandel. Tanzsequenzen aus dem All, der Wüste oder dem Meer, aber auch zahlreiche freche Dialoge und Videos fordern die Zuschauenden auf, dem Klimawandel nicht tatenlos zuzusehen. Die Musik wurde eigens für das Stück von dem Bremer Komponistenduo Thomas Krizsan und Claudia Giese geschaffen und wird bei den Aufführungen von einem Orchester live dargeboten.

WER? Es tanzen 110 Lichthaustänzerinnen und -tänzer unter der Leitung von Carolin Böse-Krings.

Wo? Im wunderschönen neuen Theater der Bremer Philharmoniker, Am Tabakquartier 10 in Bremen.

Wann? Die Produktion wird 3x aufgeführt:
am Samstag, den 2. März, um 17 Uhr und
am Sonntag, den 3. März um 12 Uhr und noch einmal um 17 Uhr.

Karten unter: kartenbestellungprinz@posteo.de / Karten Erwachsene € 15,- und Kinder € 8,-

***

Das Team des Deutschen Tanzfilminstituts um Heide-Marie Härtel freut sich, die Premiere filmisch zu dokumentieren.

(Deutsch) InZwischen. tanzbar_bremen [Premiere]
InZwischen – von Zankäpfeln, Krawallbürsten und anderen Streitbarkeiten

Bremen. Schwankhalle

29.02.2024 | 20.00 Uhr