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Foto: Kirsten Tiedemann Kultursalon Essen as part of the German Dance Award 2022

Dreharbeiten Dachverband Tanz Deutschland e.V. Essen - Pact Zollverein D 14.10.2022 um 19.00 Uhr

 

The 2022 Dance Prize winners:in conversation about their work with : Marco Goecke, Christoph Winkler, Reinhild Hoffmann and the Aktion Tanz Company tell us about their research and inspirations.

German Dance Award 2022
CULTURE SALON 14.10.2022 / 19h
PACT Zollverein

Moderation:
Michael Freundt & Brit Rodemund

19:00 Welcome by moderator and Muchtar Al Ghusain (Alderman of the City of Essen for Youth, Education and Culture)

19:05 Talk session with Marco Goecke and Reinhild Hoffmann

Introduction of the laudator Reid Anderson

19:07 Laudation of Marco Goecke as video by Reid Anderson (8-10 min.)
19:15 Talk with the laudators and award winners (20 min.)

Introduction of the laudator Hedwig Müller

19:35 Laudation of Reinhild Hoffmann by Hedwig Müller
19:45 Talk with the laudators and prize winners
20:05 PAUSE

20:30 Talk with Christoph Winkler and Aktion Tanz

Introduction of the laudator Elisabeth Nehring

20:32 Laudation for Christoph Winkler by Elisabeth Nehring
20:40 Talk with the laudators and prize winners

Transition to Aktion Tanz
Introduction of the laudator Madeline Ritter

21:00 Laudation on Aktion Tanz by Madeline Ritter
21:10 Talk with the laudators and award winners
21:30 Farewell

From 21:30 Reception and conclusion with music in the foyer

 

Filmstill INNER SUSPENSION (2). With Susanne Linke in Essen-Werden Tanzhaus Züllig

Dreharbeiten Susanne Linke / Deutsches Tanzfilminstitut Bremen Essen-Werden /Folkwang Universität D 29.9. bis 3.10.2022

 

Masters are truly great for what they pass on to their students: they leave traces that settle over time, becoming footsteps that others can walk in the future. The team of the German Dance Film Institute Bremen documented the Inner Suspension training programme developed by dancer and choreographer Susanne Linke at the Tanzhaus Züllig of the Folkwang Universität Tanz. The aim is to record and pass on this foundation of her way of working. An intensive experience with the great choreographer and her closest collaborators. Accompanied by Professor Henrietta Horn.

 

 

Point de Vue Point de vue/ cie. toula limnaios. tanz.digital I [Making Of]

Dreharbeiten Berlin D 20.9.2022

 

In the Point de vue project, part of the tanz:digital series, cie. toula limnaios uses live stream technologies to expand perception and transcend the everyday boundaries of reality. Cameras, integrated by 360° recordings, dance with the performers on stage to create an immersive viewing experience for the audience. Digital media are no longer a mere technical support, but real creative tools, and the choreography on stage is translated into an autonomous audiovisual art format.

 

Tanz:digital II wird gefördert durch die Beauftragte der Bundesregierung für Kultur und Medien im Programm NEUSTART KULTUR, Hilfsprogramm DIS-TANZEN des Dachverband Tanz Deutschland

 

Virtual Sureallity/ bodytalk. tanz:digital II [Making Of]

Dreharbeiten Deutsches Tanzfilminstitut Bremen Düsseldorf D 1.9.2022

Virtual reality technologies are often used to create alternative dimensions; but what if instead we used them to give substance to something fragile that we already possess, such as our memories? In the Virtual Surreality project, the members of the “bodytalk” collective (Yoshiko Waki, Rolf Baumgart, Marcus Bomski) asked various dance experts what they considered to be the most significant moments in the history of dance; they then traced these moments in the archives of the Deutsches Tanzfilminstitut, and reenacted them interactively with a team of four dancers. The results of the reconstruction are compared with the personal memories of the people interviewed, who watch the performances with VR glasses: past and present are intertwined in this ‘surreal reality’, and what has been is not really lost, but can return to dance.

 

 

In the context of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the artists and the public. In concrete terms, this means that “making-ofs” will be created for around 10 individual projects, preparing potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new installations.

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

Foto: Giulia Oglialoro Beyond Lightscapes/ Marcus Doering, Lars Scheibner und André Bernhard. tanz:digital II [Making Of]

Dreharbeiten Neustrelitz D 25.8.2022

The Beyond Lightscapes project takes virtual reality research to a previously unexplored level in the world of dance. The PMD-ART Productions collective, composed of Marcus Doering, Lars Scheibner and André Bernhardt, has in fact devised a technology that makes it possible to map and actively follow the dancers in real time: the video therefore does not take place in a separate dimension, but is attached to the dancers, it follows them and adapts to them, like a real costume made of light. The dancers’ movements give life to magnificent scenographies and suggestive visual effects, leaving us to imagine all the possibilities that an artistic communication between man and machine can open up.

 

In the context of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the artists and the public. In concrete terms, this means that “making-ofs” will be created for around 10 individual projects, preparing potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new installations.

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

Foto: Mariann Menke Fünf Minuten Heimat
Geboren werden ist das erste Exil. Denn das Leben auf der Erde ist eine ewige Diaspora. / To be born is the first exile. For life on earth is an eternal diaspora
Dreharbeiten ProdÁrt Hafenmuseum Bremen D 19.8.2022

We are made up of the places we have passed through, the encounters that have enriched us, the people we have met and changed, even imperceptibly, the trajectory of our lives. This seems to be the heart of the piece “5 Minuten Heimat”, directed by Fabián Aimar and choreographed by Günther Grollitsch: to make us understand that migration regards not only individuals who move from one country to another, but indeed it represents the basic condition of human beings. We move, we grow, we respond to desires and needs, and these desires and needs sometimes take us far from home. The team of the Deutsces Tanzfilminstitut filmed the premiere of the performance in the spaces of the Hafenmuseum in Bremen: the dancers are migrants with and without disabilities who, for the duration of the show, seem to reconstruct on stage the homeland they have lost, or have not yet found.

 

ProdArt e.V. was founded in 2021 due to the mutual interest of the artists in their creative approaches. ProdArt artists understand diversity as a guiding principle for social and individual action. Diversity does not demand the adaptation of the individual, but promotes the opening of society – and thus a basic attitude that recognises each person as valuable on the basis of their individual characteristics and abilities.

 
With its work, the association wants to work towards the creation of favourable conditions for living, learning and working together, focusing on the equal participation of people with mental, physical, psychological and sensory impairments and/or chronic illnesses as well as different cultural origins and sexual orientations in social-cultural and artistic life.

Direction and concept: Fabian Aimar | Performance: Diene Abdoulaye, Doris Geist, Sakura Inoue, Ulrike Knospe, Estefan Vega Leon, Beno Novak, Caline Weber, Sergey Zhukov | Choreographic accompaniment: Günther Grollitsch | Production: ProdArt e.V. | Supported by Landesverband TanzSzene Bremen.

 
Supported by: Senator für Kultur Bremen, Supported by the NATIONAL PERFORMANCE NETWORK – STEPPING OUT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR. Aid Programme Dance.

If the body could speak/ Robert Wechsler. tanz:digital II [Making Of]

Dreharbeiten Palindrome Dance Company Weimar D 13.08.2022

“If the body could speak”, what would it say? This is the question Robert Wechsler, choreographer and director of Palindrome Dance Company, asked himself when he designed an installation that generates sounds as soon as a body moves over a special carpet. An inclusive work that allows people with disabilities to dance and produce sounds, but also a poetic exercise, in which with just a few movements we can become a waterfall, a guitar or a bird rising into the sky, overcoming with imagination the limits imposed by the body. The magic carpet exists, and not only in fairy tales.

 

The German Dance Film Institute Bremen builds in the context of tanz:digital II a bridge between the motivation of the realizing artist:inside and the thus focused circle of users. In concrete terms, this means that “making ofs” will be created for around 10 individual projects, preparing potential users, whether tech-savvy or not, for what to expect if they decide to entrust themselves to one of the many new offerings.

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR program, aid program DIS-TANZEN of the Dachverband Tanz Deutschland.

 

Nele Buchholz im Interview. Filmstill POSITIONS:DANCE #5 ACCESS. Films by Burkhart Siedhoff

Dreharbeiten Dachverband Tanz Deutschland Bremen, Berlin, Köln u.a. D 1.8.2022 - 30.01.2023

 

 

“Inclusivity’ is now a central concept in the world of contemporary dance: but what exactly does it mean?
From a collaboration between the TAFI team and Burkhart Siedhoff of Dachverband Tanz, these interviews with some dancers with disabilities tell us how the world of dance can open up to different bodies, and poetics.

 

The symposium Positions:Dance #5ACCESS

What development must there be in German (contemporary) dance so that everyone has access? What impulses are needed so that we do not equate professional dance exclusively with protonormalistic body images and movements? Can cultural policy give impulses so that dance does not just open a door here and there for people with disabilities, but that the whole world of dance is open to them – with all the support and freedom for artistic development?

Together with artists, organisers and politicians with and without disabilities, we would like to discuss structures and funding so that people with disabilities have sustainable access to dance. We had originally planned this year’s symposium within the framework of the German Dance Prize from 13 to 15 October. In discussion with artists and cultural actors with and without disabilities, we developed the idea of leaving the usual format of a three-day tightly scheduled symposium and choosing a decelerated and more sustainable format with regard to the negotiation of the topic.

The 5 modules of the symposium will take place online and will each be dedicated to a focus of the theme ‘Access’, from dance education to questions of professionalisation and transnational perspectives.

 

https://www.deutschertanzpreis.de/symposium/symposium-2022

 

POSITIONS:DANCE #5 ACCESS is funded by the Federal Government Commissioner for Culture and the Media in the programme NEUSTART KULTUR, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

 

Foto:Heide-Marie Härtel Inner Suspension (1). With Susanne Linke in Berlin

Dreharbeiten Susanne Linke / Deutsches Tanzfilminstitut Bremen Berlin D 14.-16.6.2022

 

Masters are truly great for what they pass on to their students: they leave traces that settle over time, becoming footsteps that others can walk in the future. The Deutsches Tanzfilminstitut team went to Berlin to document the “Inner Suspension” training programme, developed by dancer and choreographer Susanne Linke. The aim is to record and pass on this basis of her working method. An immersive experience with the great choreographer and her closest collaborators.

 

 

 

tanz:digital II. Virtual and Interactive Forum for Dance [Making Of II].
Mit tanz:digital II sollen Tanzkünstler*innen, Tanzensembles und Institutionen des Tanzes in der medialen Präsentation künstlerischer Produktionen gestärkt werden. Das Deutsche Tanzfilminstitut dokumentiert ausgewählte Projekte.
Video-Produktion Dachverband Tanz Deutschland/ NEUSTART KULTUR Bundesweit D 2022

“With tanz:digital, the umbrella organization Tanz Deutschland, in cooperation with dance archives, production houses and the model projects funded within the project, is pursuing the goal of making dance a virtual and immersive experience and presenting it online as part of the NEUSTART KULTUR program.

With tanz:digital, dance artists*, dance ensembles and institutions of dance (venues, archives, dance schools, mediation projects, etc.) are to be strengthened in the medial presentation of artistic productions.” Dachverband Tanz Deutschland

 

The German Dance Film Institute Bremen has made it its task in this framework to build a bridge between the motivation of the realizing artists:inside and the thus focused circle of users. In concrete terms, this means that “making ofs” will be created for about 10 individual projects, which will prepare potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.

 

The Making Ofs will follow the highly unique production process of each of the selected projects on one day of filming, making the choice of technical, aesthetic, and possibly educational means accessible to a wide audience in a film of about 10 minutes about each project. Interviews with the artistic directors and other project participants will complement the film report.

 

The German Dance Film Institute Bremen will accompany selected projects as part of “tanz:digital II”

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tanz digital is a project in the umbrella organization Tanz Deutschland funded by the NEUSTART KULTUR program of the Federal Commissioner for Culture and the Media.

 

© Efrat Mazor Niv Sheinfeld & Oren Laor ART ATTACK – Festival TANZ Bremen
Ein wildes, wundervolles Manifest des Feierns. / A wild, wonderful manifesto of celebration.
Dreharbeiten TANZ Bremen Theater Bremen D 11.5.2022 um 20.00 Uhr

Art wants, art should, art may, it must! It spreads and becomes loud when a dance performance is called ART ATTACK. With this group piece, the experienced duo Niv Sheinfeld and Oren Laor from Israel illuminate a relationship: that of the society, perhaps represented by the audience, with the art and with the artists. The performers pose and run, tumble, dance and entertain so that the sparks fly. Dynamism! Variety! Eyes open! Music drives into the limbs and memory.

“We want to praise the aggressive movement, the fiebrige sleeplessness, the running step, the somersault, the slap in the face and the punch in the fist”, wrote Filippo Tommaso Marinetti in Manifesto of Futurism in 1909. Manifestos play a crucial role in ART ATTACK, written by artists of different professions. None of them has the last word, and what is serious and what is not keeps the attack in the balance. “We must stop despising desire,” demanded Valentine de Saint-Point in the 1913 Lust-Futurism counter-manifesto.”

DanceBremen

 

NIV SHEINFELD was a dancer and choreographer for Kibbutz and Batsheva Dance Company, among others. OREN LAOR studied acting and drama at Tel Aviv University. They have been working together and touring worldwide since 2004. The quartet ART ATTACK premiered in Tel Aviv in April 2021.

 

The team of the German Dance Film Institute Bremen documents this dance performance.

Re_Cycle-tanzbar_bremen. Foto Daniela Buchholz RE_CYCLE-tanzbar_bremen Premiere
Ist das Kunst oder kann das weg? Ein Tanztheaterstück zu einem Aspekt von Nachhaltigkeit erarbeitet vom 5-köpfigen inklusiven Team unter der Leitung von Günther Grollitsch.
Dreharbeiten tanzbar_bremen in Kooperation mit dem Theater Bremen Theater Bremen - Kleines Haus D 27.4.2022 um 20.00 Uhr

In this piece, among other things, the value of artistic work from past eras and its lasting effects on today’s creative work are questioned. Among other things, the waste pyramid is interpreted in a cultural-historical context.

 

Recycling and reuse are omnipresent on stage and shape the development process of the new production.

This material cycle is examined and stretched into artistic approaches and realisations. In this way, a poetic-satirical study of our being in a time full of tension is presented.

 

The team of tanzbar_bremen is supported by Delia Nordhaus, the director of the Upcycling Gallery Wallerie, as well as by Prof. Dr.-Ing. Henning Albers, who is working on recycling in the field of environmental and bioengineering.

 

Tickets: 19 € / con. 9 €

Tickets available via the Theater Bremen.

 

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Details

Concept and choreography: Günther Grollitsch in collaboration with the dancers

Dance: Jenny Ecke, Till Krumwiede, Corinna Mindt, Oskar Spatz, Adrian Wenzel

Dramaturgy: Tom Bünger

Stage design: Delia Nordhaus, Janina Mau

Costume: Lui Nilson, Katja Fritzsche

Production management: Stina Hinrichs

 

Production

tanzbar_bremen in cooperation with Theater Bremen

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Supported by the Senator for Culture Bremen.

 

Funding: Fonds Darstellende Künste aus Mitteln der Beauftragtenderder Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR, Karin und Uwe Hollweg Stiftung sowie Waldemar Koch Stiftung.

Logo of supporters

 

Premiere on 27 April 2022, 8pm

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As part of TANZ Bremen 2022 on 06 May 2022, 6pm

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The team of the German Dance Film Institute Bremen is pleased to document the premiere on film

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Die Fotografin Marianne Menke moving faces. Photo and film portraits of 36 Bremen dance makers
Preview der 36 Filmporträts im Live-Stream aus dem Deutschen Tanzfilminstitut Bremen.
Sendetermin Landesverband TanzSzene Bremen e.V. Deutsches Tanzfilminstitut Bremen/ Forum am Wall D 11.12.2021 um 18.00 Uhr

Many facets become visible in the almost 40 portraits of Bremen’s dance practitioners, which were commissioned by the Landesverband TanzSzene Bremen and captured by photographer Marianne Menke.

 

While looking for a photo setting, Marianne Menke came to the Tanzfilminstitut: together with Heide-Marie Härtel, she developed the idea of using the photo setting at the institute as a backdrop for a personal interview with the respective artist. Together with existing film material from the Dance Film Institute’s archive and supplemented by current film footage from the ballet schools and dance studios as well as rehearsals in progress, the informative series of short portraits was created: “moving faces” show the protagonists in their professional environment.

 

The result is 36 video clips of about three minutes, which reflect the high level of professionalism, the artistic diversity and the whole range of creative work of dance artists who come to Bremen from all over the world.

 

The series of short portraits shows the protagonists in their professional environment.

 

The film clips were realised by the team of the German Dance Film Institute and Médoune Seck.

 

The video portraits of the participating artists will be online on the homepage of the Landesverband TanzSzene Bremen from 12.12.2021 and can be accessed there under “TanzSzene“.

 

The team of the German Dance Film Institute Bremen would like to thank all participants for their creative collaboration.

 

Supported by DIEHL+RITTER/TANZPAKT RECONNECT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative. Aid Programme Dance

Deutscher Tanzpreis 2021. The Gala

Dreharbeiten Dachverband Tanz Deutschland / Aalto-Theater Essen Essen D 23.10.2021 um 18.00 Uhr

On Saturday, 23 October 2021, the German Dance Award will be presented at the Aalto Theatre in Essen – the most prestigious award for dance in Germany. The award ceremony is embedded in a top-class dance gala programme with contributions from classical ballet, dance theatre and contemporary dance.

The German Dance Prize 2021 will be awarded to the founder and director of the German Dance Film Institute Bremen, Heide-Marie Härtel. Her life’s work is associated with a globally outstanding institution and the impulse to capture dance in the medium of film and to bring it to new life.

 

Honours will also be awarded to ballet teacher Ursula Borrmann, choreographer Claire Cunningham and trade unionist Adil Laraki.

 

One of the highlights of the evening will be the pas de deux from John Cranko’s “Eugene Onegin” danced by the Stuttgart Ballet as well as Reinhild Hoffmann’s “Solo with Sofa”.

Siham El-Maimouni, presenter at Westdeutscher Rundfunk, will accompany the audience through the evening.

 

Details on the programme of the gala can be found here [click].

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The ticket for the live streaming can be purchased online at the following link: click here.

 

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You can optionally copy the following link: https://www.eventbrite.de/e/deutscher-tanzpreis-2021-tickets-166287537501

 

The team of the German Dance Film Institute Bremen is especially pleased to document the gala on film this year.

dance:digital. Virtual and interactive forum for dance [Making Of].
Mit tanz:digital sollen Tanzkünstler*innen, Tanzensembles und Institutionen des Tanzes in der medialen Präsentation künstlerischer Produktionen gestärkt werden. Das Deutsche Tanzfilminstitut dokumentiert ausgewählte Projekte.
Video-Produktion Dachverband Tanz Deutschland/ NEUSTART KULTUR Bundesweit D 2021/2022

 

 

DANCE DIGITAL

 

“The aims of the funding in the NEUSTART KULTUR programme are the development of innovative choreographic/artistic formats and the testing of new recording and production formats – e.g. working with body cams. e.g. working with body cams, 3D and 360° recording techniques, VR and AR applications, streaming and video-on-demand productions, format development for social networks and gaming.” Dachverband Tanz Deutschland

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Making Ofs of the German Dance Film Institute Bremen as part of the project

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Working with digital media has become an absolute reality in the dance field. However, it is more a component of internal work processes than a topic with social and aesthetic weight in the productions. Choreographers use new technologies in a light-hearted and practical way to support the production process or as a visual tool as part of the production, often in the area of set design.

 

The use of digital media has become an absolute reality in the dance field.

 

The project “tanz:digital” by the umbrella organisation Tanz Deutschland is dedicated to the issue that goes beyond this: what happens when dance and digital technology come together in an equal dialogue for a result that is not even necessarily connected to a stage, but perhaps can only be received on the worldwide Internet? For this, 14 individual productions have been selected that encompass a whole range of altered modes of production and reception.

 

The German Dance Film Institute Bremen has set itself the task of building a bridge between the motivation of the realising artists and the focused circle of users. In concrete terms, this means that “making-ofs” will be created for about 10 individual projects, preparing potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.

 

The Making Ofs will accompany the highly unique production process of the selected projects on one day of shooting each, thus making the choice of technical, aesthetic, possibly also pedagogical means accessible to a wide audience in a film of about 10 minutes each. Interviews with the artistic directors and other project participants complement the film report.

 

DANAMOS. dance art native motion system. By Martin Puttke

Dreharbeiten Martin Puttke und Dt. Tanzfilminstitu Bremen Darmstadt, TU Departement of Human Sciences, Locomotion Laboratory D 29.+30.9.2021

 

“Learning by doing” has always been the basis for learning dance. Professor Martin Puttke, leading dance educator and former director of the German State Ballet Berlin and the Aalto Ballett Theatre Essen, wants to revolutionise this tradition with his concept “DANAMOS -dance native motion system”. With DANAMOS, Puttke brings together dance didactics, music, neurocognition and biomechanics in an unusual way.

 

The team of the Dance Film Institute has documented some experiments of this groundbreaking training technique in the Locomotion Laboratory at the TU Darmstadt, Department of Human Sciences, Lacomotion Laboratory. The gains and progress of Puttke’s training principles are made convincingly visible with the help of state-of-the-art digital technology “motion capture”. Many thanks to Maximillian A. Stacia and his team.

 

Robert Schad. Dancing sculptures in the park

Dreharbeiten Krähnholm, Gerhard-Marcks-Haus Bremen, Knoops Park D 7.9.2021

It is not surprising that the German sculptor Robert Schad was particularly influenced by dancers and choreographers: his sculptures are slender steel structures that, despite the hardness of the material they are made of, give to viewer the fleeting impression of a moving body.
In the project Tanzender Stahl, the team of the Deutsches Tanzfilminstitut illustrates Schad’s sculptures at the Gerhard-Marcks-Haus and Knoops Park in Bremen, highlighting their connection to dance.

Robert Schad. MOOH 2016. Foto: Olaf Bergmann Joint Sketches – Traces of Time – Bremen vierkant / Robert Schad
Finissage mit der Schweizer Tänzerin Anna Huber in Knoops Park.
Veranstaltungs-Dokumentation Stiftung Kränholm und Gerhad-Marcks-Haus Knoops Park D 29.08.2021 um 16.00 Uhr

 

It has now been possible to bring the guest performance of the Swiss dancer ANNA HUBER, which was cancelled due to Corona, to Bremen in the context of the exhibition “Bremen vierkant” by the steel sculptor ROBERT SCHAD. With a delay of more than a year, Anna Huber will not dance in the Gerhard-Marcks Haus as originally planned, but in the Robert Schad exhibition of the Kränholm Foundation in Knoops Park. She dances to live music by Martin Schütz, cello.

Robert Schad will also be present.

 

 

Lightness and movement interest the steel sculptor Robert Schad, whose square-steel sculptures come across as weighing tons, rising gracefully higher and higher into the sky, striding through a room as if on spikes, or – more rarely – seeming to wind gently across the floor. His early artistic exchange with the dancer and choreographer GERHARD BOHNER marked the beginning of his artistic dialogue with dance makers. Robert Schad entered into a reciprocal exchange, often lasting for years, with renowned personalities such as the dancers and choreographers SUSANNE LINKE, FINE KWIATKOWSKI, RUI HORTA, AVI KAISER, URS DIETRICH and ANNA HUBER.

 

 
The week after this FINISSAGE the exhibition will be dismantled, so this special dance event is the last chance to get to know Robert Schad’s work in Bremen.
 
The German Dance Film Institute is using this opportunity to complete the shooting of its film project “Robert Schad and the Dance”.
 
If you are interested, please register informally at harenborg@kraenholm.de.
 
Participation is free of charge.
 
Meeting place: Kränholm Sculpture Garden / Art Café
Auf dem Hohen Ufer 35, 28759 Bremen
 
Sunday, 29.8.2021 at 16.00

Please observe the current hygiene regulations.