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Salon of Dance 30: VULNERABLY BEAUTIFUL. Dance between elegance and risk
Der TanzSalon startet wieder!
Veranstaltung Landesverband TanzSzene Bremen Deutsches Tanzfilminstitut Bremen D 10.10.2025 um 20.00 Uhr

With the support of the regional association TanzSzene Bremen, we are resuming our well-established format, the TANZSALON.

 

As before, it will take place on the 10th of every month at 8:00 pm at TAFI – regardless of which day of the week the 10th falls on.

 

Many of you have told us how much you missed the TANZSALON as a place of encounter and exchange within Bremen’s dance scene. Since the last time, quite a lot has happened – at TAFI, but surely also with you: new productions, new films, new guests.

 

We warmly invite you to celebrate the first TANZSALON after the long break with us. The evening’s theme will be TAFI’s latest documentary: “Vulnerably Beautiful. Dance between Elegance and Risk – A Study by Goethe University Frankfurt.”

 

The film accompanies a medical study on physical strain in professional dance. Prof. Dr. Dr. Eileen Wanke of Goethe University Frankfurt, head of the research project, will introduce the topic.

 

Drinks will be provided – just bring yourselves, and feel free to bring along new people and friends.

 

Friday, October 10 at 8:00 pm
Deutsches Tanzfilminstitut Bremen
Am Wall 201 / Forum am Wall
Entrance Ostertorstraße, next to the bakery

Translation by ChatGPT

AK Film&Medien. Digitale Perspektiven im Tanzfilminstitut Bremen AI in film and media. Public working session of the AK Film AV&Medien DACH. BiblioCon
Im Rahmen der BiblioCon - 9. Bibliothekskongress 2025 in Bremen
Veranstaltung Berufsverband Information Bibliothek e.V. Bremen - Forum am Wall D 24.06.2025

How is artificial intelligence changing the way we work with film, AV media and archives? What opportunities and challenges arise for research, archiving and mediation? The public working session of the Film AV & Media DACH working group, which is taking place as part of BiblioCon in Bremen, is dedicated to these questions.

 

Under the title ‘AI in Film and Media’, experts from Germany, Austria and Switzerland will come together to discuss the latest developments. The programme includes contributions from the Film Institute Hanover, the FID Media (formerly FID Film, Media and Communication Science / MediaRep) and the AV-Portal of the TIB Hanover – supplemented by insights into local institutions and projects.

 

A special highlight of the programme is a visit to the German Dance Film Institute Bremen, the world’s largest archive for dance film. The tour will provide an insight into the combination of decades of archive practice with new digital and AI-supported perspectives.

 

The session is open to the public and invites all interested parties – for information, discussion and networking at the interface of media studies, practice and technology.

 

Translated with DeepL.com (free version)

Blick ins Innere  ©Marianne Menke Alexandra Beriault with Cinematic Spaces from the University of the Arts Bremen as a guest

Veranstaltung Deutsches Tanzfilminstitut Bremen - Deutsches Tanzfilminstitut D 28.06.2025

On Wednesday, June 18th, the Hochschule für Künste class Cinematic Spaces visited the Deutsches Tanzfilminstitut, where we were greeted by the institute’s director, Heide-Marie Härtel. As she guided us through the premises, we were introduced to several facets of the institute—one major highlight being the opportunity to see where many original dance films are digitized for the archive. The digitization studio features a fully customized system that accommodates a range of analog moving-image formats. Multiple dance films (from various time periods) play simultaneously on a collection of stacked CRT television monitors, and the entire experience of seeing such a system at work feels akin to stepping into a multi-channel video installation—dedicated solely to dance film.

 

Throughout the tour, our class was given glimpses into several examples from the institute’s extensive archive of dance videos, as well as other films that document a history of collaborative projects between the Deutsches Tanzfilminstitut and numerous international partners. Several of the dance works shown incorporated elements of the visual arts, including video, sound, sculpture, and multimedia installation. In essence, we were invited to consider dance and the stage as another possibility for what a “cinematic space” could embody.

 

Alex Beriault

Susan Barnett Age on Stage – old iron? Not at all! Dance has no expiry date. Guest lecture by Susan Barnett
Im Rahmen des Seminars "Tanz-Exkursionen in die Innenwelt des Tanzes" von Dr. Monika Thiele, Seniorenstudium, Akademie für Weiterbildung, Universität Bremen
Filmvortrag Deutsches Tanzfilminstitut - Universität Bremen Bremen | Hybrid D 19.05.2025

Can a body over 50 still dance? And if so, how? This guest lecture deals with this question.

 

Susan Barnett, dancer and dance teacher from Bremen, was invited to give this lecture. Barnett comes from Wales, has danced internationally – including with the Ballet Municipal de Santiago and in Hans Kresnik’s ensemble – and has been a freelance dancer for many years. With a Master’s degree in Dance Science and a wide range of projects between stage art, dance education and community dance, she deals intensively with the topics of body, age and expression.

 

In professional dance in particular, age often seems to be a criterion for exclusion. While mature artists and (fewer) female artists are still on stage in film and theatre, professional dancers often disappear from the limelight at an early age. What are the reasons for this? Is it an outdated ideal of eternal youth, agility and peak physical performance?

 

But dance can do more. Mobility, joie de vivre, expression – all of this can be maintained and even enhanced into old age.

This guest lecture ‘Age on Stage’ therefore focussed not only on the question of health benefits, but above all on artistic perspectives:

Is getting older on the dance stage really a taboo?
What new forms of expression emerge when the body emphasises qualities other than bounce and speed?
And how can images of age be shifted in art?

 

‘Age on Stage’ is an invitation to rethink dance: not as a privilege of youth, but as a lifelong form of movement and expression.

Die Gastdozentin Prof. Dr. Dr. Eileen M. Wanke (links im Bild) From dance to dance medicine – insights from Prof Dr Dr med Eileen M. Wanke
Im Rahmen des Seminars "Tanz-Exkursionen in die Innenwelt des Tanzes" von Dr. Monika Thiele, Seniorenstudium, Akademie für Weiterbildung, Universität Bremen
Veranstaltung Deutsches Tanzfilminstitut - Universität Bremen Bremen - Deutsches Tanzfilminstitut D 12.05.2025

As part of the event ‘Dance – Excursions into the inner world of dance’, we welcome Prof. Dr Dr Eileen Wanke from the Institute for Occupational, Social and Environmental Medicine at Goethe University Frankfurt as a special guest.

 

Prof. Wanke is leading a research project to analyse movement patterns in professional stage dance. State-of-the-art kinematic methods are used to scientifically analyse stresses and risks for dancers – work that opens up new perspectives on prevention and health promotion in dance.

 

Where does art end, where does medicine begin? In her lecture ‘From dance to dance medicine’, Prof. Dr Dr Eileen M. Wanke sheds light on the development of dance from an elementary human form of movement to a profession with special physical requirements – and the emergence of dance medicine as an independent interdisciplinary field.

 

Using historical examples, Prof Wanke shows how dance has always been used to maintain health. At the same time, she outlines the specific stresses and risks that professional dancers are exposed to as part of their training and profession.

 

The focus is on the question: How can medical knowledge help to prevent injuries, maintain performance and ensure the long-term health of dancers?

 

A lecture with film contribution between dance art and science – understandable, practical and with a view to current research results.

"Ecoute...Chopin". Von und mit Susanne Linke. ©Günther Krämmer 100 years of solo dance. Film lecture in cooperation with the Hochschule für Künste im Sozialen.
Wissenschaftliches Seminar. Sommersemster 2025
Filmvortrag Deutsches Tanzfilminstitut Bremen Bremen - Deutsches Tanzfilminstitut D 09.04.2025

How does dance change when it is centred on a single person? And what social impulses are contained in this form? Heide-Marie Härtel, founder and director of the German Dance Film Institute Bremen, opens her five-part lecture on the topic of ‘100 years of solo dance’ with these questions. The seminar is a cooperation with the Dance and Theatre in Social Work course at the University of Arts in Ottersberg under the direction of Prof. Leonardo Cruz.

Heide-Marie Härtel uses selected film clips from the archive to provide insights into the works of outstanding solo dancers.

An inspiring look back and forward – in the spirit of dance as both an individual and social act.

Für ihre Verdienste in der Bewahrung des Tanzes als Kulturerbe steckt Bürgermeister Bovenschulte Heide-Marie Härtel das Bundesverdienstkreuz an. Foto: Senatspressestelle Federal Cross of Merit for Heide-Marie Härtel. Honoured for her life’s work in the field of dance and dance film

Tafi-Info Senatskanzlei des Landes Bremen Bremen - Rathaus D 07.03.2025

On 7 March 2025, Heide-Marie Härtel, founder and long-standing artistic director of the German Dance Film Institute Bremen, was awarded the Cross of Merit on Ribbon of the Federal Republic of Germany. Mayor Dr Andreas Bovenschulte presented her with the award in the Senate Hall of Bremen City Hall, honouring her outstanding services to the preservation and dissemination of the cultural heritage of dance.

 

Heide-Marie Härtel studied classical and modern dance in Cologne and was employed as a dancer at the Bremen Theatre from 1971. Since the late 1970s, she has dedicated herself to the documentation and mediation of dance film. In 1989, together with Susanne Schlichter, she founded the German Dance Film Institute Bremen. With over 40,000 media, it is now one of the most important archives for dance film in Europe.

 

In his laudatory speech, Mayor Bovenschulte emphasised:
“Over the past 35 years, Heide-Marie Härtel has made a significant contribution to preserving and passing on the cultural heritage of dance through her many years of work in the field of dance film. With tireless dedication and a special feeling for the importance of dance, she has provided important impulses that reach far beyond national borders.”

 

In addition to her work as a producer and director, Heide-Marie Härtel initiated European projects to network dance archives and was involved in the umbrella organisation Tanz Deutschland. She has already received the 2021 German Dance Award for her life’s work. The team of the German Dance Film Institute warmly congratulates Heide-Marie Härtel on this well-deserved award.

 

©Marianne Menke “Dance lives on. In movement, in memory – and in film.” Senior’s University Excursion
Eine Kooperation des Deutschen Tanzfilminstitut Bremen mit der Universität Bremen, Akademie für Weiterbildung, Seniorenstudium. Hybrid. Wintersemester 2024/25
Filmvortrag Deutsches Tanzfilminstitut Bremen Bremen D 21.11.2024

But dance is fleeting. What remains are recordings. This is where the German Dance Film Institute Bremen comes into play: under the direction of Heide-Marie Härtel, herself once a soloist under Hans Kresnik, Europe’s largest dance film archive has been created since the 1980s. Over 40,000 film and video documents are stored directly above the Bremen City Library – many of them works by John Neumeier, recorded in TV quality.

 

The series of events also presents the archive itself. Heide-Marie Härtel will provide personal insights: as a former dancer and as an archivist who preserves dance for future generations.

 

Three events are planned at the German Dance Film Institute Bremen, which can also be followed online via Zoom.

Dance lives on. In movement, in memory – and in film.

Dr. Monika Thiele

Hans Kresnik Dance icons in focus. Film lecture at the German Dance Film Institute Bremen
Kooperation mit Prof. Leonardo Cruz, Hochschule für Künste im Sozialen Ottersberg, . Wintersemester 2024/25
Seminar Deutsches Tanzfilminstitut Bremen Bremen D 06.11.2024

Inspiration and legacy of great female choreographers from Bremen theatre

What impulses do artists whose works have had a lasting impact on the world of dance provide? This year’s winter semester series at the German Dance Film Institute Bremen is looking at this question. Four film lectures will focus on influential figures in contemporary dance, all of whom are closely associated with Bremen’s theatre.

The interplay of film documentaries, examples of their work and background information will make artistic signatures and social references visible.

 

The film lectures will be led by Heide-Marie Härtel, founder and artistic director of the German Dance Film Institute Bremen. Härtel combines film documentaries, personal memories and professional categorisation. The seminar invites you to understand dance history not just as archive material, but as living heritage.

 

The dates at a glance:

18 October 2025, 8 pm: Johann Kresnik
The ‘political choreographer’: radical, provocative, uncomfortable.

15 November 2025, 8 pm: Reinhild Hoffmann
Poetic and body-conscious: dance theatre between image and movement.

13 December 2025, 8 pm: Susanne Linke
Strict form and expressive power: from solo to ensemble work.

17 January 2026, 8 pm: Urs Dietrich
The quiet creator: dance as a personal and collective narrative

 

All events take place at the Deutsches Tanzfilminstitut Bremen.

Patricio Bunster Ausstellungsplakat 2024 Dance can be a form of optimism.” Patricio Bunster – choreographer from Chile in exile in the GDR. Exhibition

Ausstellungsbeteiligung Dresden - Palucca-Hochschule für Tanz D 26.10.2024

“Dance can be a form of optimism that leads to the realisation
that even in the greatest catastrophes you can get an inkling
that everything can be seen differently.”

The dancer and choreographer Patricio Bunster (1924-2006) found new opportunities to work as a political refugee from Chile in the GDR in 1973.

How did Patricio Bunster experience his exile in the GDR? Did
his artistic work change during this time? What was the impact of Bunster’s work at the dance academies in Dresden and Leipzig? How did modern dance develop in Chile after his return?

The Palucca University invites on its Open Day to
a public discussion with former students and companions of Patricio Bunster and presents films and archive documents on his life and work in the library villa (TG80) of the Palucca University.

Guests:
Raymond Hilbert
Prof. Dr. Peter Jarchow
Antje Ladstätter
Prof. Dr. Ralf Stabel
Moderation:
Prof. Dr. Patrick Primavesi
Angela Rannow

The team of the German Dance Film Institute documents the event.
Translated with DeepL.com (free version)

Hans Kresnik bei Proben. Fidelio? Foto vom Flohmarkt. Treasures from the theater flea market: Photos with Hans Krensik discovered!

Tafi-Info Theater Bremen Bremen D 21.06.2024

Amidst stacked drums, mixed desks, a collection of sofas, piano stools and sun longers an a 3-meter-high King Kong, we meet theater photographer Jörg Landsberg today. He draws Heide-Marie Härtel’s attention to special treasures: They are photos with the choreographer Hans Krensik from an exhibition in the foyer of the Theater Bremen in 2019/20.
Heide-Marie Härtel has a special connection to Hans Krensik. In her previous life as a dancer, she was a member of his company at the Theater Bremen as a soloist. In her life as a filmmaker, she has documented many of his choreographies and pieces and also produced films about Krensik, a pioneer of choreographic theater.

Screenshot 2024-06-16 132720 (Deutsch) Der kleine Prinz aus Gröpelingen – Filmpremiere im Lichthaus
Premiere im Lichthaus. Bremen-Gröpelingen.
Dreharbeiten Caroline Böhse-Krings, Tanz im Lichthaus Bremen - Lichthaus. D 16.06.2024 um 17.00 Uhr

Tanz im Lichthaus“, die Ballettschule im Hafen von Carolin Böhse-Krings, feiert die Filmpremiere ihres Programms ‘Der kleinen Prinz aus Gröpelingen’, das am 02. und 03. März mit 110 Tanzschülerinnen und -schülern im Tabakquartier aufgeführt wurde.
Das Deutsche Tanzfilminstitut unter der Leitung von Heide-Marie Härtel hat die Vorstellung gefilmt und aus dem Material einen Dokumentation produziert.

Sara Levi-Tanai, Komponistin und Choreografin Windows to the soul of Contemporary Israel Dance with Dr. Talia Perlshtein
Israel's dance scene between tradition and avantgarde [Film-Lecture]
Filmvortrag Deutsches Tanzfilminstitut Bremen Bremen D | Israel 20.05.2024 um 19.30 Uhr

As part of a series of lectures, Dr Talia Perlshtein, head of the dance department at the Orot Israel College of Education in Tel Aviv, provided fascinating insights into the development of contemporary Israeli dance. Her lecture ‘Windows of the Soul of Contemporary Israeli Dance’ traced how a globally recognised dance culture has developed from the combination of Middle Eastern traditions and Western innovations.

The focus was on two main trends:

Middle Eastern roots: from Sara Levi-Tanai to Orly Portal

As early as 1949, Sara Levi-Tanai founded the Inbal Dance Company, in which she combined Yemeni music and rituals with modern stage dance. Her work is regarded as the foundation stone for a unique Israeli dance language.

A current representative of this line is Orly Portal. Her choreographies interweave Sufi dance, belly dance and modern techniques, thus building a bridge between tradition and the present.

Western influences: The Batsheva Dance Company and Ohad Naharin

The professionalisation of Israeli dance along Western lines began with the founding of the Batsheva Dance Company in 1964 by Baroness Batsheva de Rothschild. Initially strongly influenced by Martha Graham, the company found its own unmistakable movement language from 1990 onwards under the artistic direction of Ohad Naharin: ‘Gaga’.

Naharin’s works such as Kyr, Anaphase and The Hole not only characterised Israeli dance, but also set international standards for artistic innovation and social reflection.

A multi-layered picture

In her lecture, Dr Perlshtein succeeded in vividly conveying how Israeli dance is constantly reinventing itself through the dialogue between cultural heritage and contemporary aesthetics. We would like to thank her warmly for this inspiring insight!

Augusto Jaramillo Pineda im Gerhard-Marcks-Haus Bremen Augusto Jaramillo Pineda. Film portrait of the dancer and actor [Premiere]
Premiere
Veranstaltung Deutsches Tanzfilminstitut Bremen Bremen D 22.04.2024 um 20.00 Uhr

In 2024, to celebrate his farewell from Young Artist, volunteers Yanitsa Genova and Viviana Sarri created a short video portrait to honour the artist Augusto Jaramillo Pineda.

Augusto Jaramillo Pineda is an actor, dancer, choreographer and teacher. Since the early 1990s, he has appeared in numerous theatre and film productions in his native Colombia. Together with the director and author Farley Velasquez Ochoa and other actors, he founded the internationally renowned theatre group TEATRO HORA 25. From 1999 to 2001, he taught contemporary dance at the EAFIT University in Medellín. His engagements in Germany have taken him to steptext dance project e.V. (steptext), as well as to the Bremer Theater and the Moks-Theater.

 

Seine Kunst beschäftigt sich oft mit zentralen Fragen der menschlichen Existenz und mythologischen Figuren, kombiniert mit Trash und Tiefe, Sinnlichkeit, Seele und Humor. Zu seinen Arbeiten zählen u.a. das preisgekrönte Solo über Frida Kahlo AÚN RESPIRO…Y?, die Trilogie LUZBEL, THANATOS und ADONAI, sowie LEANDRA – CROSS OVER IDENTITY und LOS DESAPARECIDOS.

 

Seit 2002 ist Augusto Jaramillo Pineda festes Mitglied von steptext. Im Jahr 2004 übernahm er die künstlerische Leitung der Young Artists. Im Rahmen regelmäßiger Trainings und intensiver Probenprozesse entwickelt er mit Bremer Jugendlichen internationaler Herkunft mit oder ohne Bühnenerfahrung Jugendtanztheaterproduktionen, die sich mit modernen Themen beschäftigen.

 

The film “Auguto Jaramillo Pineda – Dance Art Emotions” was premiered on the 22. April of 2024 in Deutsches Tanzfilminstitut Bremen.

Bibliotheca Albertina Leipzig Dance archives and digital transformation. Conference of the Association of German Dance Archives

Veranstaltung Tanzarchiv Leipzig e.V. Institut für Theaterwissenschaftern der Universität Leipzig und Bibliotheca Albertina D 17.-18.11.2023

Institute for Theatre Studies at the University of Leipzig

17 November 2023, 1 p.m. to 6 p.m.
Working conference of the Association of German Dance Archives

Miscellaneous topics

18 November 2023
Bibliotheca Albertina

10.00 a.m. Words of welcome

Charlotte Bauer, Deputy Director of Leipzig University Library

Holk Freytag, Saxon Academy of the Arts

 

10.15 am Dance archives in Germany

* Archive Performing Arts of the Academy of Arts Berlin, Stephan Dörschel (Head of the Archive)
* German Dance Archive Cologne, Thomas Thorausch (Deputy Head of the Dance Archive Cologne)
* German Dance Film Institute Bremen, Heide-Marie Härtel (Artistic Director)
* Mediathek für Tanz und Theater, Christine Henniger (Head of MTT at the International Theatre Institute Centre Germany e.V.)
* Dance Archive Leipzig e.V., Prof. Dr Patrick Primavesi (Professor of Theatre Studies at the University of Leipzig and board member)
* University Archive of the Palucca University of Dance Dresden, Bianca Gleiniger (Head of the
University Archive)

 

10.45 am Dance-memory-digitality: a research

Caroline Helm, Clara Dolinschek, Michael Freundt (Dachverband Tanz Deutschland e.V.)

 

11.00 am Discussion: Dance and Archive – Transformation into the Digital

 

11.45 a.m. short break

 

12.00 pm Digital stages for dance: tanz:digital as an example

Michael Freundt (Dachverband Tanz Deutschland e.V.)

 

12.15 pm Discussion: Complicity of art, technology, science and archive

* Thomas Thorausch, Deputy Director of the Dance Archive Cologne
* Stephan Dörschel, Director of the Archive for Performing Arts at the Academy of Arts Berlin
* Heide-Marie Härtel, Artistic Director of the German Dance Film Institute Bremen
* Christine Henniger, Head of the Media Library for Dance and Theatre at the International Theatre Institute -
Zentrum Deutschland e. V.
* Patrick Henniger, Head of the Media Library for Dance and Theatre at the International Theatre Institute -
Zentrum Deutschland e. V. V.
* Patrick Primavesi, Professor of Theatre Studies at the University of Leipzig, Board of Directors of Tanzarchiv Leipzig e.V.
* Bianca Gleiniger, Head of the University Archive of the Palucca University of Dance Dresden
Moderation: Melanie Gruß, Institute for Theatre Studies

 

14.00 Small reception with drinks and snacks

 

Foto: Ursula Kaufmann A life for dance. Ulrich Roehm celebrates his 90th birthday
In Abwandlung eines Zitates von Loriot gilt für Ulrich Roehm: "Ein Leben ohne Tanz ist möglich, aber sinnlos."
Video-Produktion Ulrich Roehm Essen D 16.09.2023

The German Dance Film Institute Bremen congratulates Ulrich Roehm on his anniversary with the specially produced film “A Life for Dance”. The festive event and the video were echoed in the specialised press. Here you can read excerpts from Online Merkur and tanz.at.

“What you want to ignite in others must burn within you.” Who else would this quote from St Augustine be more fitting than Ulrich Roehm – although the fire for dance has been burning in his heart for decades and he has ignited the joy of dance in many other people. No one else has brought dance to the world like him and subsequently brought the dance world to Essen. And no one else has done as much for dance and dance education as he has and, thanks to his constant persistence, has made many things possible. It is impossible to name everything that Ulrich Roehm has initiated, founded and established in his extensive work.

 

Almost to the day – he was born on 14 September 1933 – Ulrich Roehm celebrated his 90th birthday last Saturday with a big party in his hometown of Essen. Numerous friends, companions, dancers such as Birgit Keil and Vladimir Klos as well as dignitaries and representatives of the media and his family joined the celebrations.

 

Ulrich Roehm opened the festive gathering with a short speech and the film “Ulrich Roehm. A Life in Dance” was shown as a world premiere and spanned a wonderful arc over his private and professional life. Among the guests were the former President of the German Bundestag, Prof. Dr Norbert Lammert, and the Lord Mayor of Essen, Thomas Kufen, both of whom also gave speeches – as did Michael Freundt, Managing Director of Dachverband Tanz Deutschland e. V., who brought a message from the Board of Directors to mark the milestone birthday. There were also video congratulations from the Royal Academy of Dance in London. In a short interview, Heide-Marie Härtel then asked unprecedented questions of the jubilarian, who is not only celebrating this memorable birthday this year, but also a number of other anniversaries.”

Ira Werbowsky

Excerpt from an article in Online Merkur – Die internationale Kulturplattform. From 21 September 2023

 

“A film by Heidemarie Härtel was at the centre of the 90th birthday ceremony, which told the story of her personal and professional career in a loving and informative compilation of archive material and interviews. The touching impressions that the film left on all those present were then deepened in a discussion.”

Edith Wolf Perez in her article Ulrich Roehm on his 90th birthday on tanz.at

Eingespielter Filmausschnitt. Foto: Yanitsa Genova Stephan Brinkmann. Lecture for the Orot Israel College in Tel Aviv [WissensWandel. Digitalprogramm des dbv]

Veranstaltung Deutsches Tanzfilminstitut Bremen Tel Aviv / Bremen Israel / D 17.1.2023

 

 

Stephan Brinkmann, Professor of Contemporary Dance at the Folkwang University of the Arts, gladly accepted the opportunity to give a lecture for their dance students at the Orot Israel College for the Arts. He was a dancer and choreographer at the Folkwang Tanzstudio for two years before becoming a permanent ensemble member of the Tanztheater Wuppertal Pina Bausch from 1995 to 2005. Brinkmann spoke about the connection between pedagogy and choreography.

 

The simultaneous translation will be provided by Ms Katja Manor, Goethe-Institut Tel Aviv.

 

Wissenwandel.Digitalprogramm for libraries and archives within Neustart Kultur is funded by the Federal Government Commissioner for Culture and the Media and is launched by dbv Deutscher Bibliotheksverband.

 




 

 

Orot Israel College Tel Aviv as guest in the archive of the Dance Film Institute. Seminar in live stream. [WissensWandel. Digitalprogramm des dbv]
Aus dem Studio im Archiv des Deutschen Tanzfilminstituts Bremen direkt nach Tel Aviv.
Seminar Deutsches Tanzfilminstitut Bremen Tel Aviv / Bremen Israel / D 25.10.2022 bis 17.01.2023, 14-tägig

 

This new digital mediation format is being developed by the German Dance Film Institute Bremen thanks to the support of “WissensWandel. Digital Programme for Archives and Libraries of the dbv German Library Association”. Heide-Marie Härtel offers a seminar on the history of dance for students of the Orot Israel College in Tel Aviv via live stream from the studio in Bremen. The event will focus in particular on the relationship between dance and politics. Historical dance film material from the institute’s own archive will illustrate the contents of the seminar. Heide-Marie Härtel is developing the lectures in close cooperation with Dr. Talia Perlshtein, head of the dance department of the Orot Israel College.

 

As simultaneous translators:in Ziv Frenkel, Berlin, and Katja Manor, Goethe-Institut Tel Aviv will accompany the seminar.

 

All film excerpts will be subtitled in English.

 

Invited are the lecturers:
* Reinhild Hoffmann, dancer, choreographer, dance prize winner 2022
* Dorotheé Hahne, musician, composer
* Professor Henrietta Horn, Folkwang University of the Arts, dance degree programme
* Professor Stephan Brinkmann, Fokwang University of the Arts, director of dance degree programme

 

Wissenwandel.Digitalprogramm für Bibliotheken und Archive within Neustart Kultur is funded by the Federal Government Commissioner for Culture and the Media and is launched by dbv Deutscher Bibliotheksverband.

 



 

Folkwang University of the Arts as guest at the Dance Film Institute. Lectures in live stream. [WissensWandel.Digitalprogramm des dbv]
Das Deutsche Tanzfilminstitut öffnet sein Archiv für ein Live-Stream Seminar in Essen-Werden.
Veranstaltung Deutsches Tanzfilminstitut Bremen Essen-Werden / Bremen D 18.10.2022 bis 31.01.2023, 14-tägig

 

Funded by the dbv German Library Association, Heide-Marie Härtel is developing a new digital mediation format for students at the Folkwang University of the Arts as part of the project “WissensWandel. Digital Programme for Libraries and Archives within Neustart Kultur” project, Heide-Marie Härtel is developing a new digital mediation format for students at Folkwang University of the Arts. The seminar on modern dance history will be broadcast from the studio at the German Dance Film Institute in Bremen – via live stream.
The focus of the seminar is particularly on the relationship between dance and politics. Important chroeographers include Kurt Joos, Hans Kresnik, Susanne Linke and Reinhild Hoffmann. In the live stream, Härtel can have film excerpts played from the rich film material of the in-house archive. The students discuss and reflect on the basis of specifically selected historical film examples with their lecturer, Professor Henrietta Horn in Essen, with Heide-Marie Härtel and invited guests, such as Reinhild Hoffmann, in Bremen.

This seminar is realised in close cooperation with the Folkwang University of the Arts in Essen-Werden and Professor Henrietta Horn.

 

The seminar will be offered in English.
All film excerpts will be subtitled in English.

 

Wissenwandel.Digitalprogramm für Bibliotheken und Archive within Neustart Kultur is funded by the Federal Government Commissioner for Culture and the Media and is launched by dbv Deutscher Bibliotheksverband.

 



 

tanz:digital II. Virtual and Interactive Forum for Dance [Making Of II].
Mit tanz:digital II sollen Tanzkünstler*innen, Tanzensembles und Institutionen des Tanzes in der medialen Präsentation künstlerischer Produktionen gestärkt werden. Das Deutsche Tanzfilminstitut dokumentiert ausgewählte Projekte.
Video-Produktion Dachverband Tanz Deutschland/ NEUSTART KULTUR Bundesweit D 2022

“With tanz:digital, the umbrella organization Tanz Deutschland, in cooperation with dance archives, production houses and the model projects funded within the project, is pursuing the goal of making dance a virtual and immersive experience and presenting it online as part of the NEUSTART KULTUR program.

With tanz:digital, dance artists*, dance ensembles and institutions of dance (venues, archives, dance schools, mediation projects, etc.) are to be strengthened in the medial presentation of artistic productions.” Dachverband Tanz Deutschland

 

The German Dance Film Institute Bremen has made it its task in this framework to build a bridge between the motivation of the realizing artists:inside and the thus focused circle of users. In concrete terms, this means that “making ofs” will be created for about 10 individual projects, which will prepare potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.

 

The Making Ofs will follow the highly unique production process of each of the selected projects on one day of filming, making the choice of technical, aesthetic, and possibly educational means accessible to a wide audience in a film of about 10 minutes about each project. Interviews with the artistic directors and other project participants will complement the film report.

 

The German Dance Film Institute Bremen will accompany selected projects as part of “tanz:digital II”

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tanz digital is a project in the umbrella organization Tanz Deutschland funded by the NEUSTART KULTUR program of the Federal Commissioner for Culture and the Media.

 

Die Fotografin Marianne Menke moving faces. Photo and film portraits of 36 Bremen dance makers
Preview der 36 Filmporträts im Live-Stream aus dem Deutschen Tanzfilminstitut Bremen.
Sendetermin Landesverband TanzSzene Bremen e.V. Deutsches Tanzfilminstitut Bremen/ Forum am Wall D 11.12.2021 um 18.00 Uhr

Many facets become visible in the almost 40 portraits of Bremen’s dance practitioners, which were commissioned by the Landesverband TanzSzene Bremen and captured by photographer Marianne Menke.

 

While looking for a photo setting, Marianne Menke came to the Tanzfilminstitut: together with Heide-Marie Härtel, she developed the idea of using the photo setting at the institute as a backdrop for a personal interview with the respective artist. Together with existing film material from the Dance Film Institute’s archive and supplemented by current film footage from the ballet schools and dance studios as well as rehearsals in progress, the informative series of short portraits was created: “moving faces” show the protagonists in their professional environment.

 

The result is 36 video clips of about three minutes, which reflect the high level of professionalism, the artistic diversity and the whole range of creative work of dance artists who come to Bremen from all over the world.

 

The series of short portraits shows the protagonists in their professional environment.

 

The film clips were realised by the team of the German Dance Film Institute and Médoune Seck.

 

The video portraits of the participating artists will be online on the homepage of the Landesverband TanzSzene Bremen from 12.12.2021 and can be accessed there under “TanzSzene“.

 

The team of the German Dance Film Institute Bremen would like to thank all participants for their creative collaboration.

 

Supported by DIEHL+RITTER/TANZPAKT RECONNECT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative. Aid Programme Dance

Robert Schad. MOOH 2016. Foto: Olaf Bergmann Joint Sketches – Traces of Time – Bremen vierkant / Robert Schad
Finissage mit der Schweizer Tänzerin Anna Huber in Knoops Park.
Veranstaltungs-Dokumentation Stiftung Kränholm und Gerhad-Marcks-Haus Knoops Park D 29.08.2021 um 16.00 Uhr

 

It has now been possible to bring the guest performance of the Swiss dancer ANNA HUBER, which was cancelled due to Corona, to Bremen in the context of the exhibition “Bremen vierkant” by the steel sculptor ROBERT SCHAD. With a delay of more than a year, Anna Huber will not dance in the Gerhard-Marcks Haus as originally planned, but in the Robert Schad exhibition of the Kränholm Foundation in Knoops Park. She dances to live music by Martin Schütz, cello.

Robert Schad will also be present.

 

 

Lightness and movement interest the steel sculptor Robert Schad, whose square-steel sculptures come across as weighing tons, rising gracefully higher and higher into the sky, striding through a room as if on spikes, or – more rarely – seeming to wind gently across the floor. His early artistic exchange with the dancer and choreographer GERHARD BOHNER marked the beginning of his artistic dialogue with dance makers. Robert Schad entered into a reciprocal exchange, often lasting for years, with renowned personalities such as the dancers and choreographers SUSANNE LINKE, FINE KWIATKOWSKI, RUI HORTA, AVI KAISER, URS DIETRICH and ANNA HUBER.

 

 
The week after this FINISSAGE the exhibition will be dismantled, so this special dance event is the last chance to get to know Robert Schad’s work in Bremen.
 
The German Dance Film Institute is using this opportunity to complete the shooting of its film project “Robert Schad and the Dance”.
 
If you are interested, please register informally at harenborg@kraenholm.de.
 
Participation is free of charge.
 
Meeting place: Kränholm Sculpture Garden / Art Café
Auf dem Hohen Ufer 35, 28759 Bremen
 
Sunday, 29.8.2021 at 16.00

Please observe the current hygiene regulations.