Theatres, the Goethe Institutes and festival organisers like us to record their events and create a professional documentation of their work.
The films thus created each have their own characteristic way of summarising and representing the individual events.
[ 26.10.2024; ] “Dance can be a form of optimism that leads to the realisation
that even in the greatest catastrophes you can [...mehr]
[ 28.02.2026; 18:00; ] The team from the German Dance Film Institute Bremen is recording the event at the Aalto Theater Essen / Germany.
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E-Motion In Motion Symposium der Gesellschaft für Tanzforschung |
Documentations of Events | Gesellschaft für Tanzforschung, Deutsches Tanzfilminstiut Bremen | Bern | CH | 2005 | 00:23 h |
Sorry, this entry is only available in Deutsch.
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Jagniatkow. Move The Mount Interdisziplinäres Laboratorium für Choreografen |
Documentations of Events | Büro Kopernikus, Independent Dancers Association (Polen), Tanz Bremen | Jagniatkow | PL | 2005 | 00:34 h |
Sorry, this entry is only available in Deutsch.
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Tanzherbst On Tape (“Autumn of Dance” on Tape) Festivalbericht 1999 |
Documentations of Events Edition Tele Dance Essay | Tanz Bremen e.V., Deutsches Tanzfilminstitut Bremen | Bremen | D | 1999 | 00:35 h |
Festival “Autumn of Dance”, Bremen 1999
Realisation: Hartmut Sebel
Editor: Heide-Marie Härtel
Co-Production: Tanz Bremen e.V., 
1999, 35 min.
A camera workshop of the , directed by Heide-Marie Härtel, used the opportunity of the Autumn of Dance in 1999 to exchange experiences about the making of documentaries.
Young journalists and film makers were able to experience that the documentation of dance has its own laws. A confrontation of the dancers’ movement on stage with the dynamics of the camera’s eye and the tripod’s position. This track was further followed in the workshop about the editing of dance videos in the context of the festival “30 years of dance theatre Bremen”.
Hartmut Sebel’s documentary presents a thematic contribution, reconstructing the festival’s progress and presenting interviews highlighting the organisers’ motivations.
This film does not pose as a traditional TV feature, but as a visual festival programme, allowing the audience to re-experience the festival without commentary and just by its imagery and textual information alone.
