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Sasha Waltz © Ursula Kaufmann German Dance Award 2023 – Grand Dance Gala and Award Ceremony

 Dreharbeiten Dachverband Tanz Deutschland Essen - Aalto-Theater D 12.10.2024

At a festive dance gala on 12 October 2024, the Dachverband Tanz Deutschland presented the German Dance Award 2024 – the most prestigious award for dance in Germany.

Prolonged applause accompanied the awards for Dieter Heitkamp (honour for lifetime achievement) and explore dance – Netzwerk Tanz für junges Publikum (honour for outstanding development in dance) and for Sasha Waltz, who was awarded the German Dance Award 2024.
The award ceremony and the dance gala impressively presented the emotional and unifying power of dance, accompanied by WDR presenter Siham El-Maimouni.

Highlights included the opening of the evening by the Aalto Ballett Essen on its home stage with an excerpt from the ballet ‘Carmen’, an excerpt from the dance theatre ‘Chotto Desh’ by the Akram Khan Company, a pas de deux from ‘In the Middle, Somewhat Elevated’ by William Forsythe of the Staatsballett Berlin and an excerpt from ‘Radical Cheerleading’ by choreographer Zufit Simon. The dancers from Sasha Waltz & Guests delighted the audience with an excerpt from ‘In C’, a choreography by Sasha Waltz.

The laudators had touching words for the award winner and the honourees. Nele Hertling, who was honoured with the German Dance Award in 2018, on Sasha Waltz: “In addition to developing new pieces, performing in Berlin and giving numerous guest performances, Sasha Waltz is active on many levels and takes responsibility for her social environment (…). In addition to her artistic work, the development of innovative, interdisciplinary forms of performance and creation is a focal point of her work. (…) With its artistic work, the company Sasha Waltz & Guests stands for a democratic, open and diverse society with joint work in the encounter with the audience and an open discussion.”

Theatre scholar Gerald Siegmund emphasised that the lifetime achievement award for Dieter Heitkamp honours “(…) a restless artist, an innovative pedagogue, a cunning strategist and a tireless fighter for the cause of dance. (…) In the course of his “almost fifty years of commitment to dance in Germany and beyond, he has fearlessly made a great deal out of almost nothing. As an artist, as a teacher and as a mentor for future generations of dancers.”

Cultural politician Helge Lindh (Member of the German Bundestag) emphasised that explore dance is organised artistically and democratically, which is what makes the network so magical. The presence of society and young people is recognised and the power of development is taken into account. explore dance provides a wonderful service to democracy, which is why this network should be celebrated.

The team of the German Dance Film Institute documents the award ceremony gala.

Translated with DeepL.com (free version)

Anna Konjetzky. MOVE MORE MORPH IT @Franz Kimmel Dance Prize Cultural Salon PACT Zollverein 2024

 Dreharbeiten Dachverband Tanz Deutschland Essen - PACT Zollverein D 11.10.2024

On Friday, 11 October, the Tanzpreis Kultursalon took place at PACT Zollverein at 7 pm.

The Kultursalon offered visitors the opportunity to find out more about the art and work of this year’s award winners and honourees and to engage in dialogue with them. Sasha Waltz received the German Dance Award 2024, Dieter Heitkamp was honoured with a lifetime achievement award and explore dance – Netzwerk Tanz für junges Publikum was honoured for outstanding development in dance.

The evening’s dance was enriched by the explore dance production ‘Move More Morph It!’, choreographed by Anna Konjetzky. ‘Move More Morph It!’ is a mobile pop-up production for young audiences aged 8 and up and poses the questions: Who, how and what can I be? A body sets itself to music, providing the soundtrack for a journey through different identities, self-designs and fantastic characters. Large effects and subtle tones trick perception and awaken curiosity about a creative approach to attributions.

Michael Freundt, Managing Director of Dachverband Tanz Deutschland, hosted the programme and engaged in conversation with the award winner and the honourees on stage. The laudatory speeches for Dieter Heitkamp and explore dance are part of the evening. The laudatory speech for Sasha Waltz was held the following evening at the Aalto Theatre in Essen as part of a festive dance gala.

 

After the Kultursalon, visitors were invited to a reception where they could socialise and linger.

 

An evening full of encounters!

The event was offered with translation into German Sign Language (DGS) and audio description (AD).

 

The team from the German Dance-Film-Institute Bremen documented the festive gala and award ceremony.

Monitor zur Darstellung analoger Materialien. Filmstill Timeless Steps. Digitalisation at the German Dance Film Institute Bremen

 Digitalisierung Deutsches Tanzfilminstitut Bremen Bremen D 02.10.2024

At the German Dance Film Institute Bremen, the state-of-the-art digitisation department preserves unique cultural assets for future generations. Using professional equipment, even rare video formats and damaged recordings from different eras are read out, restored, digitised and permanently archived. In this way, dance history and audiovisual testimonies are kept alive.

Oskar Spatz. © Jörg Landsberg Better a bird in the hand than … okay, screw it, I’ll do it differently now! Performance by Oskar Spatz with Tim Gerhards

 Dreharbeiten tanzbar Bremen/ Theater Bremen Bremen - Theater Bremen Brauhaus D 23.+25.09.2024

“My name is Oskar Spatz. I’m a dancer, I’ve been dancing since 2007. My shoe size is 40/41. I weigh 70 kilos and my favourite food is rice with mince. I usually dance with my colleagues. But today I’m alone on stage. I’m looking forward to spending this evening with you. Because togetherness is warmth.”

Oskar Spatz turns his life upside down – together with Tim Gerhards. This special evening of dance is about successes and setbacks, about art, being human and his private life.

Oskar himself once decided to become a dancer. At the time, he didn’t know exactly what that meant. But he knew that he wanted it. He almost always knows what he wants.

Even now he has made a decision: He’s going on stage alone. In an hour-long solo show, he demonstrates what self-determination means – and what it’s like to live and work in a community. He invites everyone to be his guests.” Press release
—
The team of the German Dance Film Institute documents the performance.

Translated with DeepL.com (free version)

dancing-in-the-streets 1 Dancing in the streets. DanceSpace North
"Tanz in allen Facetten, auf der Bühne am Marktplatz, umsonst und draußen. steptext dance project - Landesverband TanzSzene Bremen
 Dreharbeiten steptext dance project / Landesverband TanzSzene Bremen Bremen - Marktplatz D 31.08.2024

“Dance in all its facets, on the stage on the market square, for free and outside

Summer in motion: the popular dance festival ‘Dancing in the Streets’ is taking place again this year, transforming Bremen’s market square into an open-air dance floor. Many of those who make Bremen a versatile dance city will come together on the outdoor stage. In addition to the Of Curious Nature company, other dancers from the Hanseatic city and the surrounding area will be taking part. With a range of traditional dances from different cultural organisations to a variety of contemporary dance styles, the participants from all generations have already delighted audiences in previous years. That will be the case again this year. This time, dance fans and city walkers can also look forward to a special new highlight: several groups of diverse dance styles and dance cultures will come together under the direction of professional dancer Leila Bakhtali and present a joint choreography that will be premiered at ‘Dancing in the Streets’. In a fusion of styles, they make a strong and very Bremen statement in favour of cohesion in a diverse community.

The acts on the open-air stage begin with a look behind the scenes, a public training session by the professionals from Of Curious Nature. Afterwards, the city’s dance schools and various dance groups will present the breadth of their work. Also on the road again is the is the popular walking act Gassi Gäng.

With Dancing in the Streets, TanzRAUM Nord and steptext dance project, in cooperation with the Landesverband TanzSzene Bremen, show how dance can be integrated into every day and every place, thus sensually expanding our living environments. The audience stops or sits down, watches and enjoys, or moves on after brief moments, more exhilarated than before.”
(Press release)

Link to the event at steptext.net

The team of the German Dance Film Institute documents this event.

 

Judith Kuckart @Martin Rottenkolber Judith Kuckart hands over her film collection to the German Dance Film Institute Bremen

 Digitalisierung Bremen D 25.08.2024

The choreographer, dancer and author Judith Kuckart has donated her personal film collection to the German Dance Film Institute Bremen for digitisation and long-term archiving.

 

The collection includes video recordings of performances, choreographies and rehearsals from various creative phases and provides an insight into over four decades of artistic work. Judith Kuckart has been one of the most influential figures in contemporary dance in Germany since the 1980s.

 

With the acquisition of this material, the Tanzfilminstitut is expanding its collection with important documents of German dance history. The films will be professionally digitised, archived and made accessible for research, teaching and the interested public in the long term.

 

‘We are delighted about the trust that Judith Kuckart has placed in the archive with this handover,’ says Heidemarie Härtel, founder and director of the institute. ‘Collections like this are of great value for the cultural memory of dance.’

Motion capture. Bewegungsansicht als Avatar Dance medicine research meets ballet art. theatreKiel*
Dreharbeiten des Deutschen Tanzfilminstituts am Theater KielForschungsprojekt des Instituts für Arbeits-, Sozial- und Umweltmedizin der Goethe-Universität Frankfurt. Leitung Prof. Dr. Dr. Eileen Wanke
 Dreharbeiten Instituts für Arbeits-, Sozial- und Umweltmedizin der Goethe-Universität Frankfurt theaterKIEL* D 11.-12.07.2024

The team from the German Dance Film Institute Bremen is currently accompanying a dance medicine research project at Goethe University Frankfurt led by Prof Dr Dr Eileen M. Wanke. The focus is on analysing the movements of professional dancers during training and rehearsals. State-of-the-art cinematic measurement technology (motion capture) is used to collect data that should help to make the dance profession safer – and at the same time provide unique filmic insights into the work of the company.

Hans Kresnik bei Proben. Fidelio? Foto vom Flohmarkt. Treasures from the theater flea market: Photos with Hans Krensik discovered!

 Tafi-Info Theater Bremen Bremen D 21.06.2024

Amidst stacked drums, mixed desks, a collection of sofas, piano stools and sun longers an a 3-meter-high King Kong, we meet theater photographer Jörg Landsberg today. He draws Heide-Marie Härtel’s attention to special treasures: They are photos with the choreographer Hans Krensik from an exhibition in the foyer of the Theater Bremen in 2019/20.
Heide-Marie Härtel has a special connection to Hans Krensik. In her previous life as a dancer, she was a member of his company at the Theater Bremen as a soloist. In her life as a filmmaker, she has documented many of his choreographies and pieces and also produced films about Krensik, a pioneer of choreographic theater.

Screenshot 2024-06-16 132720 (Deutsch) Der kleine Prinz aus Gröpelingen – Filmpremiere im Lichthaus
Premiere im Lichthaus. Bremen-Gröpelingen.
 Dreharbeiten Caroline Böhse-Krings, Tanz im Lichthaus Bremen - Lichthaus. D 16.06.2024 um 17.00 Uhr

“Tanz im Lichthaus“, die Ballettschule im Hafen von Carolin Böhse-Krings, feiert die Filmpremiere ihres Programms ‘Der kleinen Prinz aus Gröpelingen’, das am 02. und 03. März mit 110 Tanzschülerinnen und -schülern im Tabakquartier aufgeführt wurde.
Das Deutsche Tanzfilminstitut unter der Leitung von Heide-Marie Härtel hat die Vorstellung gefilmt und aus dem Material einen Dokumentation produziert.

(Deutsch) Ballett ist Hochleistungssport. Forschungsprojekt soll Risiken minimieren

 Dreharbeiten Prof. Eileen M. Wanke/ Ballettensemble des Oldenburgischen Staatstheaters Oldenburg (Niedersachsen)/ Franfurt am Main D 04.06.2024

Balletttanz ist Hochleistungssport, auch wenn Sprünge und Drehungen mühelos aussehen. Unfälle, aber auch falsche Bewegungen bergen für die Tänzerinnen und Tänzer ein hohes Verletzungsrisiko. Ein Forschungsprojekt von Professor Dr. Dr. med. Eileen M. Wanke, Institut für Arbeits-, Sozial- und Umweltmedizin der Goethe-Universität Frankfurt am Main, soll nun aufzeigen, wie hoch die Belastungen sind und wie Verletzungen vermieden werden können. Mittels moderner Technik werden Belastungen und Herausforderungen sichtbar gemacht. Die Ergebnisse sind für Tänzerinnen und Tänzer und auch für Unfallkassen von großem Interesse.

 

Für diese Projekt kooperiert die Tanz-Medizinerin mit dem Ballettensemble des Oldenburgischen Staatstheaters und dessen Direktor Antoine Jully.

 

Das Deutsche Tanzfilminstitut Bremen ist mit der filmischen Dokumentation des Forschungsprojekts beauftragt.

 

Sara Levi-Tanai, Komponistin und Choreografin Windows to the soul of Contemporary Israel Dance with Dr. Talia Perlshtein
Israel's dance scene between tradition and avantgarde [Film-Lecture]
Filmvortrag Deutsches Tanzfilminstitut Bremen Bremen D | Israel 20.05.2024 um 19.30 Uhr

As part of a series of lectures, Dr Talia Perlshtein, head of the dance department at the Orot Israel College of Education in Tel Aviv, provided fascinating insights into the development of contemporary Israeli dance. Her lecture ‘Windows of the Soul of Contemporary Israeli Dance’ traced how a globally recognised dance culture has developed from the combination of Middle Eastern traditions and Western innovations.

The focus was on two main trends:

Middle Eastern roots: from Sara Levi-Tanai to Orly Portal

As early as 1949, Sara Levi-Tanai founded the Inbal Dance Company, in which she combined Yemeni music and rituals with modern stage dance. Her work is regarded as the foundation stone for a unique Israeli dance language.

A current representative of this line is Orly Portal. Her choreographies interweave Sufi dance, belly dance and modern techniques, thus building a bridge between tradition and the present.

Western influences: The Batsheva Dance Company and Ohad Naharin

The professionalisation of Israeli dance along Western lines began with the founding of the Batsheva Dance Company in 1964 by Baroness Batsheva de Rothschild. Initially strongly influenced by Martha Graham, the company found its own unmistakable movement language from 1990 onwards under the artistic direction of Ohad Naharin: ‘Gaga’.

Naharin’s works such as Kyr, Anaphase and The Hole not only characterised Israeli dance, but also set international standards for artistic innovation and social reflection.

A multi-layered picture

In her lecture, Dr Perlshtein succeeded in vividly conveying how Israeli dance is constantly reinventing itself through the dialogue between cultural heritage and contemporary aesthetics. We would like to thank her warmly for this inspiring insight!

Augusto Jaramillo Pineda im Gerhard-Marcks-Haus Bremen Augusto Jaramillo Pineda. Film portrait of the dancer and actor [Premiere]
Premiere
 Veranstaltung Deutsches Tanzfilminstitut Bremen Bremen D 22.04.2024 um 20.00 Uhr

In 2024, to celebrate his farewell from Young Artist, volunteers Yanitsa Genova and Viviana Sarri created a short video portrait to honour the artist Augusto Jaramillo Pineda.

Augusto Jaramillo Pineda is an actor, dancer, choreographer and teacher. Since the early 1990s, he has appeared in numerous theatre and film productions in his native Colombia. Together with the director and author Farley Velasquez Ochoa and other actors, he founded the internationally renowned theatre group TEATRO HORA 25. From 1999 to 2001, he taught contemporary dance at the EAFIT University in Medellín. His engagements in Germany have taken him to steptext dance project e.V. (steptext), as well as to the Bremer Theater and the Moks-Theater.

 

Seine Kunst beschäftigt sich oft mit zentralen Fragen der menschlichen Existenz und mythologischen Figuren, kombiniert mit Trash und Tiefe, Sinnlichkeit, Seele und Humor. Zu seinen Arbeiten zählen u.a. das preisgekrönte Solo über Frida Kahlo AÚN RESPIRO…Y?, die Trilogie LUZBEL, THANATOS und ADONAI, sowie LEANDRA – CROSS OVER IDENTITY und LOS DESAPARECIDOS.

 

Seit 2002 ist Augusto Jaramillo Pineda festes Mitglied von steptext. Im Jahr 2004 übernahm er die künstlerische Leitung der Young Artists. Im Rahmen regelmäßiger Trainings und intensiver Probenprozesse entwickelt er mit Bremer Jugendlichen internationaler Herkunft mit oder ohne Bühnenerfahrung Jugendtanztheaterproduktionen, die sich mit modernen Themen beschäftigen.

 

The film “Auguto Jaramillo Pineda – Dance Art Emotions” was premiered on the 22. April of 2024 in Deutsches Tanzfilminstitut Bremen.

Der kleine Prinz aus Gröpelingen (Deutsch) Der kleine Prinz aus Gröpelingen von Tanz im Lichthaus
Ein Ballett und Tanztheaterstück für große und kleine Menschen
 Dreharbeiten Caroline Böhse-Krings, Tanz im Lichthaus Bremen - Theater der Bremer Philharmoniker/ Tabakquartier D 02.-03. 03. 2024

Diese Produktion von Caroline Böhse-Krings für und mit ihren Schülerinnen und Schülern der Tanzschule Tanz im Lichthaus bezieht die Geschichte des Kleinen Prinzen, der sich ganz alleine um seinen Planeten kümmern musste, auf die aktuelle Lage unseres Planeten und seine Bedrohung durch den Klimawandel. Tanzsequenzen aus dem All, der Wüste oder dem Meer, aber auch zahlreiche freche Dialoge und Videos fordern die Zuschauenden auf, dem Klimawandel nicht tatenlos zuzusehen. Die Musik wurde eigens für das Stück von dem Bremer Komponistenduo Thomas Krizsan und Claudia Giese geschaffen und wird bei den Aufführungen von einem Orchester live dargeboten.

 

WER? Es tanzen 110 Lichthaustänzerinnen und -tänzer unter der Leitung von Carolin Böse-Krings.

 

Wo? Im wunderschönen neuen Theater der Bremer Philharmoniker, Am Tabakquartier 10 in Bremen.

 

Wann? Die Produktion wird 3x aufgeführt:
am Samstag, den 2. März, um 17 Uhr und
am Sonntag, den 3. März um 12 Uhr und noch einmal um 17 Uhr.

 

Karten unter: kartenbestellungprinz@posteo.de / Karten Erwachsene € 15,- und Kinder € 8,-

 

***

Das Team des Deutschen Tanzfilminstituts um Heide-Marie Härtel freut sich, die Premiere filmisch zu dokumentieren.

Vorbereitung der Capture-Motion-Untersuchung im Ballettsaal Oldenburg. VERLETZLICH SCHÖN – Dance between elegance and risk. A study by Goethe University Frankfurt
Oldenburgisches Staatstheater
 Dreharbeiten Prof. Eileen M. Wanke/ Ballettensemble des Oldenburgischen Staatstheaters Oldenburg (Niedersachsen) D 22.-23.02.2024

The film team from the German Dance Film Institute Bremen is accompanying a major research project by the scientific team from the Institute for Occupational, Social and Environmental Medicine at Goethe University Frankfurt, led by Prof Dr Dr Eileen Wanke. The strain placed on the bodies of professional dancers by daily rehearsals and performances is the subject of this dance medicine study.

 

The analyses of occupational movement patterns of dancers using modern kinematic methods/motion capture during training and rehearsals are supplemented by the analysis of the influence of different floors on the body. To this end, identical movement sequences with and without pointe shoes are performed on two different floors.

 

The study was conducted at the Staatstheater Oldenburg and the Theater Kiel, two theatres with outstanding classical companies.

Excerpts of the research results can be found in the film ‘Verletzlich schön – Tanz zwischen Eleganz und Risiko’.

The archive of the Kibbutz contemporary dance company before the evacuation (2)_2023. © KCDC SPECIAL JOURNEY. Saving the Archive of Kibbutz Contemporary Dance Company

 Tafi-Info Kibbutz Contemporary Dance Company Kibbutz Ga'aton und Tel Aviv/ Israel Israel Januar 2024

Kibbutz Contemporary Dance Company (KCDC), one of the world’s leading dance companies was founded in 1970 by the late Yehudit Arnon who laid the foundation for today’s thriving International Dance Village under the direction of Rami Be’er. The Dance Company and the International Dance Village is located in the Western Galilee in northern Israel at Kibbutz Ga’aton, 8 kilometres from the Lebanese border. The International Dance Village is the heart and home of the company.

 

On 7 October 2023, Hamas attacked Israel. Due to its proximity to the Lebanese border, Kibbutz Ga’aton was declared a war zone.

 

On the initiative of the German Dance Film Institute the Colegium of KCDC organised the removal of the archives for security reasons to National Dance Archives in the Beit Ariela Public Library in Tel Aviv.

Dreharbeiten im Institut mit Ulrich Roehm. Foto: Yanitsa Genova Yanitsas Volunteer Report

 Dreharbeiten Erasmus Solidarity Corps | NaturKultur e.V. Bremen D 30.01.2024

“I’m writing this on my way home, but where my home is right now is in doubt. My eyes are full of memories, moments, adventures, friends I left behind in Bremen and others around the world. I feel like a year has gone by in the blink of an eye, and it has been so fulfilling and intense.

We are wrought with decisions and I boldly say that this is one of the best decisions I have ever made. Living abroad was a dream, a dream come true for me and now that I have done it, I know that dreams always come true in one way or another. I am inspired, ready for the next chapter, loved and most of all grateful! I am grateful for all the people I met, lived with, and dreamed with. I am grateful to Deutsches Tanzfilminstitut Bremen, where I met people so important to me, where I learned patience, discipline and attention to detail. I am grateful to Natur Kultur for the opportunity to be a part of the volunteer heart of Bremen!

Bremen is a lovely and romantic city, ready to offer entertainment, although who was next to me knows how often I went out, but when I did I was really there and soaked up every conversation, gaze and ambience. My favorite moments are by the river or with a book in the park or exploring the city by bike. At some point you start seeing familiar faces and you say, am I at home?

I don’t want to give so much attention to the difficulties or setbacks of this one year. But as advice I would say, never have high expectations for one thing or another because things have their own rhythm, pace, and expression. We are free to decide how we will react to what happens, but not to change people or places.

For work, I would say it requires consistency, competence, and discipline. There are strict hours for attendance and the demands are heightened. I had moments of resistance, it wasn’t always good. But it could always be worse. I believe I would not be who I am today without these difficulties. It all passes when you see the smiles on the faces of the people you love, people who become family in minutes and remain family for a lifetime.

We were shooting, creating, and experiencing together. During that one year, we traveled several times for work, we made a film in Portugal about an art residency that is located there, we filmed Tanzpreises in Essen, I was involved in editing and filming several dance performances. The work is dynamic, sometimes you are terribly busy, and sometimes you have time for yourself and personal projects.

 

This is how my story ends. Awaiting for new horizons, people, encounters, countries, cities, lessons.”

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Forum am Wall - Sitz des Instituts A Day at the German Dancefilminstitut Bremen
Ein Film von Yanitsa Genova mit Hugo Garbrecht
 Video-Produktion Deutsches Tanzfilminstitut Bremen Bremen D 2023

What is the TaFi for you? This question is at the centre of the short film “A Day at the German Dance Film Institute Bremen” by Yanitsa Genova and Hugo Garbrecht. The diverse answers of the permanent, freelance and voluntary staff of the German Dance Film Institute Bremen convey a vivid impression of the spirit of the institute. The internally used abbreviation TaFi for the institute is explained in passing.

Yanitsa Genova came to Bremen as a volunteer from Sofia/Bulgaria as part of the European Solidarity Corps. Hugo Garbrecht is completing a Voluntary Cultural Year here. Both are involved in filming and editing at the German Dance Film Institute.