[ 17.01.2023 ]
Stephan Brinkmann, Professor of Contemporary Dance at the Folkwang University of the Arts, gladly accepted the opportunity to [...mehr]
News
[ 20.01.2023 ] My year at the Deutsches Tanz Film Institut came to an end, and I leave with the bittersweet feeling of [...mehr]
[ 12.01.2023 ]
Inspired by a quote by Christian Drosten, according to whom overcoming the Corona pandemic is like dancing with a [...mehr]
[ 13.12.2022 ]
In this lecture, Dorothée Hahne talks about her work as a musician and as a composer for dance [...mehr]
[ 06.12.2022 ]
German choreographer Reinhild Hoffmann, winner of the Tanzpreis for Lifetime Achievement in 2022, talks about her solo performances, focusing [...mehr]
[ 01.12.2022 ] How much longer will we be able to control the technologies we have created? This is the question that choreographer [...mehr]
[ 30.11.2022 ]
In Talk2Me4D, Wayne Götz and Lucy Flournoy, both physical theatre performers, want to explore the possibilities and limitations of [...mehr]
[ 07.11.2022 bis 11.11.2022 ] [...mehr]
[ 25.10.2022 bis 17.01.2023 ]
This new digital mediation format is being developed by the German Dance Film Institute Bremen thanks to the support [...mehr]
[ 18.10.2022 bis 31.01.2023 ]
Funded by the dbv German Library Association, Heide-Marie Härtel is developing a new digital mediation format for students at [...mehr]
[ 15.10.2022 ] The German Dance Prize is the most prestigious prize for dance in Germany and has been awarded annually at a [...mehr]
[ 14.10.2022 ]
The 2022 Dance Prize winners:in conversation about their work with : Marco Goecke, Christoph Winkler, Reinhild Hoffmann and the [...mehr]
[ 13.10.2022 ] “Looking for Shirley” is a project by Christopher Winkler as part of tanz-digital II. Our team produces the Making Of [...mehr]
[ 13.10.2022 ] In the project Doubt22, choreographer Maureen Reeor mixes contemporary dance and videogame imagery, creating a performance in which the spectators [...mehr]
[ 12.09.2022 ] Virtual reality can help us rethink the way we approach our bodies, allowing us to overcome societal prejudices and stereotypes. [...mehr]
[ 29.09.2022 ]
Masters are truly great for what they pass on to their students: they leave traces that settle over time, [...mehr]
[ 20.09.2022 ]
In the Point de vue project, part of the tanz:digital series, cie. toula limnaios uses live stream technologies to [...mehr]
[ 02.09.2022 ]
Can virtual reality be an opportunity in children’s education? In Der schwarze Spiegel, one of the TANZ:DIGITAL II projects, [...mehr]
[ 01.09.2022 ] Virtual reality technologies are often used to create alternative dimensions; but what if instead we used them to give substance [...mehr]
[ 25.08.2022 ] The Beyond Lightscapes project takes virtual reality research to a previously unexplored level in the world of dance. The PMD-ART [...mehr]
[ 19.08.2022 ] We are made up of the places we have passed through, the encounters that have enriched us, the people we [...mehr]
[ 13.08.2022 ] “If the body could speak”, what would it say? This is the question Robert Wechsler, choreographer and director of Palindrome [...mehr]
[ 01.08.2022 bis 30.01.2023 ]
“Inclusivity’ is now a central concept in the world of contemporary dance: but what exactly does it mean? [...mehr]