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Autonomous Avatar/ Tobias Staab. tanz:digital II [Making Of]

 Dreharbeiten Tobias Staab + Deutsches Tanzfilminstitut Bremen Bochum, Planetarium D 1.12.2022

How much longer will we be able to control the technologies we have created? This is the question that choreographer Tobias Staab wants to explore in his project Autonomous Avatar. The dancers perform in the unusual and fascinating venue of the Bochum Planetarium: thanks to motion-capture suits, their movements generate video installations along the dome of the planetarium, depicting their digital avatars, which become more and more human-like. An ambitious project, which questions how technologies are shaping our perception of what is alive and what is not.
Press Young Stage about it: Junge Bühne

Within the framework of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the motivation of the realising artists and the focused circle of users. In concrete terms, this means that “making ofs” are being created for around 10 individual projects, which prepare potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

 

Wayne Götz (Deutsch) TALK 2 ME 4D/ Wayne Götz. tanz:digital II [Making Of]

 Dreharbeiten Deutsches Tanzfilminstitut Bremen Bremen. Schwankhalle D 30.11.2022

 

In Talk2Me4D, Wayne Götz and Lucy Flournoy, both physical theatre performers, want to explore the possibilities and limitations of artificial intelligences such as GPT-3 and Amazon’s Alexa. Beside interacting with them on stage, they also create an immersive, fourth-dimensional, exquisitely entertaining version of the performance, that the public can experience with VR glasses. The project liberates new technologies from a dystopian imagery, reminding us that play is at the basis of every artistic experience.

 

Within the framework of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the motivation of the realising artists and the focused circle of users. In concrete terms, this means that “making ofs” are being created for around 10 individual projects, which prepare potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland (umbrella organisation for dance in Germany).

 

 

Orot Israel College Tel Aviv as guest in the archive of the Dance Film Institute. Seminar in live stream. [WissensWandel. Digitalprogramm des dbv]
Aus dem Studio im Archiv des Deutschen Tanzfilminstituts Bremen direkt nach Tel Aviv.
 Seminar Deutsches Tanzfilminstitut Bremen Tel Aviv / Bremen Israel / D 25.10.2022 bis 17.01.2023, 14-tägig

 

This new digital mediation format is being developed by the German Dance Film Institute Bremen thanks to the support of “WissensWandel. Digital Programme for Archives and Libraries of the dbv German Library Association”. Heide-Marie Härtel offers a seminar on the history of dance for students of the Orot Israel College in Tel Aviv via live stream from the studio in Bremen. The event will focus in particular on the relationship between dance and politics. Historical dance film material from the institute’s own archive will illustrate the contents of the seminar. Heide-Marie Härtel is developing the lectures in close cooperation with Dr. Talia Perlshtein, head of the dance department of the Orot Israel College.

 

As simultaneous translators:in Ziv Frenkel, Berlin, and Katja Manor, Goethe-Institut Tel Aviv will accompany the seminar.

 

All film excerpts will be subtitled in English.

 

Invited are the lecturers:
* Reinhild Hoffmann, dancer, choreographer, dance prize winner 2022
* Dorotheé Hahne, musician, composer
* Professor Henrietta Horn, Folkwang University of the Arts, dance degree programme
* Professor Stephan Brinkmann, Fokwang University of the Arts, director of dance degree programme

 

Wissenwandel.Digitalprogramm für Bibliotheken und Archive within Neustart Kultur is funded by the Federal Government Commissioner for Culture and the Media and is launched by dbv Deutscher Bibliotheksverband.

 



 

Folkwang University of the Arts as guest at the Dance Film Institute. Lectures in live stream. [WissensWandel.Digitalprogramm des dbv]
Das Deutsche Tanzfilminstitut öffnet sein Archiv für ein Live-Stream Seminar in Essen-Werden.
 Veranstaltung Deutsches Tanzfilminstitut Bremen Essen-Werden / Bremen D 18.10.2022 bis 31.01.2023, 14-tägig

 

Funded by the dbv German Library Association, Heide-Marie Härtel is developing a new digital mediation format for students at the Folkwang University of the Arts as part of the project “WissensWandel. Digital Programme for Libraries and Archives within Neustart Kultur” project, Heide-Marie Härtel is developing a new digital mediation format for students at Folkwang University of the Arts. The seminar on modern dance history will be broadcast from the studio at the German Dance Film Institute in Bremen – via live stream.
The focus of the seminar is particularly on the relationship between dance and politics. Important chroeographers include Kurt Joos, Hans Kresnik, Susanne Linke and Reinhild Hoffmann. In the live stream, Härtel can have film excerpts played from the rich film material of the in-house archive. The students discuss and reflect on the basis of specifically selected historical film examples with their lecturer, Professor Henrietta Horn in Essen, with Heide-Marie Härtel and invited guests, such as Reinhild Hoffmann, in Bremen.

This seminar is realised in close cooperation with the Folkwang University of the Arts in Essen-Werden and Professor Henrietta Horn.

 

The seminar will be offered in English.
All film excerpts will be subtitled in English.

 

Wissenwandel.Digitalprogramm für Bibliotheken und Archive within Neustart Kultur is funded by the Federal Government Commissioner for Culture and the Media and is launched by dbv Deutscher Bibliotheksverband.

 



 

Aktion-Tanz, Hoffmann, Goecke, Winkler. Foto: Ursula Kaufmann Ceremony of the German Dance Award 2022

 Dreharbeiten Dachverband Tanz Deutschland e.V. Essen im Aalto-Theater D 15.10.2022

The German Dance Prize is the most prestigious prize for dance in Germany and has been awarded annually at a festive dance gala since 1983.

On 15 October, the award ceremony of the German Dance Prize 2022 took place at the Aalto Theatre in Essen. With a diverse programme and international guests, the diversity of dance and the art of the award winners were celebrated.

The multifaceted programme of the German Dance Award 2022 was presented at the Aalto-Theatre in Essen.

This year, the multifaceted programme revolved exclusively around the prize-winners. Two pieces by Marco Goecke were part of the programme. Lilith Hakobyan from the Staatsballett Hannover danced the solo Tué to music by the singer Barbara, which Marco Goecke dedicated to Princess Caroline of Monaco in 2009 as a tribute to her many years of commitment to dance. Rosario Guerra and Louis Steinmetz, also from the Staatsballett Hannover, also presented Marco Goecke’s duet Midnight Raga, whose title is based on classical Indian music.

Christoph Winkler presented his piece Coming Together to the music of the composition of the same name by Federic Rzewski, performed by the international Zafraan Ensemble. Dancers from the Netherlands, Nigeria, New Zealand and Germany deal with the body in turmoil and explore the body’s potential for protest.

Christoph Winkler’s piece Coming Together is set to music by Federic Rzewski.

Reinhild Hoffmann’s performance Solange man unterwegs ist… (As long as you’re on the road…), created especially for the event, takes us on a journey into her artistic past and allows us to experience her work of the past decades in the present.

The film WE LIVE IN A STRANGE WORLD – a dance film inspired by the speeches of Greta Thunberg by Christin and Carola Schmidt, created as part of the Chance Tanz funding programme of the Aktion Tanz association, will be presented as an example of the work of the association.

 

The team of the German Dance Film Institute Bremen is pleased to document the gala on the occasion of the awarding of the highest prize for dance in Germany on film again this year.

Foto: Kirsten Tiedemann Kultursalon Essen as part of the German Dance Award 2022

 Dreharbeiten Dachverband Tanz Deutschland e.V. Essen - Pact Zollverein D 14.10.2022 um 19.00 Uhr

 

The 2022 Dance Prize winners:in conversation about their work with : Marco Goecke, Christoph Winkler, Reinhild Hoffmann and the Aktion Tanz Company tell us about their research and inspirations.

German Dance Award 2022
CULTURE SALON 14.10.2022 / 19h
PACT Zollverein

Moderation:
Michael Freundt & Brit Rodemund

19:00 Welcome by moderator and Muchtar Al Ghusain (Alderman of the City of Essen for Youth, Education and Culture)

19:05 Talk session with Marco Goecke and Reinhild Hoffmann

Introduction of the laudator Reid Anderson

19:07 Laudation of Marco Goecke as video by Reid Anderson (8-10 min.)
19:15 Talk with the laudators and award winners (20 min.)

Introduction of the laudator Hedwig Müller

19:35 Laudation of Reinhild Hoffmann by Hedwig Müller
19:45 Talk with the laudators and prize winners
20:05 PAUSE

20:30 Talk with Christoph Winkler and Aktion Tanz

Introduction of the laudator Elisabeth Nehring

20:32 Laudation for Christoph Winkler by Elisabeth Nehring
20:40 Talk with the laudators and prize winners

Transition to Aktion Tanz
Introduction of the laudator Madeline Ritter

21:00 Laudation on Aktion Tanz by Madeline Ritter
21:10 Talk with the laudators and award winners
21:30 Farewell

From 21:30 Reception and conclusion with music in the foyer

 

Maureen Reor. Foto Miroslaw Zydowicz Doubt22/ Maureen Reeor. tanz:digital II [Making Of]

 Dreharbeiten Deutsches Tanzfilminstitut Bremen Eupen und Bremen Belgien; D 13.10.2022

In the project Doubt22, choreographer Maureen Reeor mixes contemporary dance and videogame imagery, creating a performance in which the spectators decide, via an application on their mobile phones that confronts them with choices, how the performance will develop. An entertaining work that asks some questions about how the relationship with new technologies has changed our approach to performance, and about the possibilities that virtual reality can offer.

 

In the context of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the motivation of the realising artists and the focused circle of users. In concrete terms, this means that “making ofs” will be created for around 10 individual projects, which will prepare potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, DIS-TANZEN support programme of the Dachverband Tanz Deutschland.

 

Martin Böttger fly Looking at Shirley/ Christoph Winkler. tanz:digital II [Making Of]

 Dreharbeiten Christoph Winkler + Deutsches Tanzfilminstitut Essen D 13.10.2022

“Looking for Shirley” is a project by Christopher Winkler as part of tanz-digital II. Our team produces the Making Of and interviews the winner of the 2022 Dance Prize in Essen. As a tireless artist and researcher, the German choreographer is interested in exploring the points of contact between dance and politics.

 

Within the framework of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the motivation of the realising artists and the circle of users focused on with it. In concrete terms, this means that “making ofs” will be created for about 10 individual projects, which will prepare potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.

 

Video – https://vimeo.com/788976239

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the programme NEUSTART KULTUR, Hilfsprogramm DIS-TANZEN of the Dachverband Tanz Deutschland.

 

Filmstill INNER SUSPENSION (2). With Susanne Linke in Essen-Werden Tanzhaus Züllig

 Dreharbeiten Susanne Linke / Deutsches Tanzfilminstitut Bremen Essen-Werden /Folkwang Universität D 29.9. bis 3.10.2022

 

Masters are truly great for what they pass on to their students: they leave traces that settle over time, becoming footsteps that others can walk in the future. The team of the German Dance Film Institute Bremen documented the Inner Suspension training programme developed by dancer and choreographer Susanne Linke at the Tanzhaus Züllig of the Folkwang Universität Tanz. The aim is to record and pass on this foundation of her way of working. An intensive experience with the great choreographer and her closest collaborators. Accompanied by Professor Henrietta Horn.

 

 

Point de Vue Point de vue/ cie. toula limnaios. tanz.digital I [Making Of]

 Dreharbeiten Berlin D 20.9.2022

 

In the Point de vue project, part of the tanz:digital series, cie. toula limnaios uses live stream technologies to expand perception and transcend the everyday boundaries of reality. Cameras, integrated by 360° recordings, dance with the performers on stage to create an immersive viewing experience for the audience. Digital media are no longer a mere technical support, but real creative tools, and the choreography on stage is translated into an autonomous audiovisual art format.

 

Tanz:digital II wird gefördert durch die Beauftragte der Bundesregierung für Kultur und Medien im Programm NEUSTART KULTUR, Hilfsprogramm DIS-TANZEN des Dachverband Tanz Deutschland

 

(Deutsch) Dead code must be alive/ Brigitte Huezo. tanz:digital II [Making Of]

 Dreharbeiten Wuppertal D 12.10.2022

Virtual reality can help us rethink the way we approach our bodies, allowing us to overcome societal prejudices and stereotypes. In the project Dead Code Must Be Alive, performer and choreographer Brigitte Huezo, with the help of valuable collaborators, imagines a virtual space where, interweaving dance, graphic art and cyberfeminism, the body can express itself freely, without imposed models or gender labels.

 

In the context of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the motivation of the realising artists and the focused circle of users. In concrete terms, this means that “making-ofs” will be created for 10 individual projects, which will prepare potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new offerings.

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

Der schwarze Spiegel/ Katharina Groß. tanz:digital II [Making Of]

 Dreharbeiten Dresden D 2.9.2022

 

Can virtual reality be an opportunity in children’s education? In Der schwarze Spiegel, one of the TANZ:DIGITAL II projects, the TAFI Team followed a class of students from the 116. Oberschule in Dresden during a special art workshop: interacting with a VR installation, between play and reflection, the kids are able to create a dance piece together with dancers from the Landesbühnen Sachsen – who are not physically present, but only through their digital avatars. Conceived by the TMA Hellerau under the supervision of media teacher Katharina Groß, the young students learn to deal with new technologies in a non-passive, creative and free way.

https://www.landesbuehnen-sachsen.de/spielzeit/tanz-digital/

 

In the context of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the artists and the public. In concrete terms, this means that “making-ofs” will be created for around 10 individual projects, preparing potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new installations.

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

 

Virtual Sureallity/ bodytalk. tanz:digital II [Making Of]

 Dreharbeiten Deutsches Tanzfilminstitut Bremen Düsseldorf D 1.9.2022

Virtual reality technologies are often used to create alternative dimensions; but what if instead we used them to give substance to something fragile that we already possess, such as our memories? In the Virtual Surreality project, the members of the “bodytalk” collective (Yoshiko Waki, Rolf Baumgart, Marcus Bomski) asked various dance experts what they considered to be the most significant moments in the history of dance; they then traced these moments in the archives of the Deutsches Tanzfilminstitut, and reenacted them interactively with a team of four dancers. The results of the reconstruction are compared with the personal memories of the people interviewed, who watch the performances with VR glasses: past and present are intertwined in this ‘surreal reality’, and what has been is not really lost, but can return to dance.

 

 

In the context of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the artists and the public. In concrete terms, this means that “making-ofs” will be created for around 10 individual projects, preparing potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new installations.

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

Foto: Giulia Oglialoro Beyond Lightscapes/ Marcus Doering, Lars Scheibner und André Bernhard. tanz:digital II [Making Of]

 Dreharbeiten Neustrelitz D 25.8.2022

The Beyond Lightscapes project takes virtual reality research to a previously unexplored level in the world of dance. The PMD-ART Productions collective, composed of Marcus Doering, Lars Scheibner and André Bernhardt, has in fact devised a technology that makes it possible to map and actively follow the dancers in real time: the video therefore does not take place in a separate dimension, but is attached to the dancers, it follows them and adapts to them, like a real costume made of light. The dancers’ movements give life to magnificent scenographies and suggestive visual effects, leaving us to imagine all the possibilities that an artistic communication between man and machine can open up.

 

In the context of tanz:digital II, the German Dance Film Institute Bremen is building a bridge between the artists and the public. In concrete terms, this means that “making-ofs” will be created for around 10 individual projects, preparing potential users, whether they are tech-savvy or not, for what to expect if they want to entrust themselves to one of the many new installations.

 

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

Foto: Mariann Menke Fünf Minuten Heimat
Geboren werden ist das erste Exil. Denn das Leben auf der Erde ist eine ewige Diaspora. / To be born is the first exile. For life on earth is an eternal diaspora
 Dreharbeiten ProdÁrt Hafenmuseum Bremen D 19.8.2022

We are made up of the places we have passed through, the encounters that have enriched us, the people we have met and changed, even imperceptibly, the trajectory of our lives. This seems to be the heart of the piece “5 Minuten Heimat”, directed by Fabián Aimar and choreographed by Günther Grollitsch: to make us understand that migration regards not only individuals who move from one country to another, but indeed it represents the basic condition of human beings. We move, we grow, we respond to desires and needs, and these desires and needs sometimes take us far from home. The team of the Deutsces Tanzfilminstitut filmed the premiere of the performance in the spaces of the Hafenmuseum in Bremen: the dancers are migrants with and without disabilities who, for the duration of the show, seem to reconstruct on stage the homeland they have lost, or have not yet found.

 

ProdArt e.V. was founded in 2021 due to the mutual interest of the artists in their creative approaches. ProdArt artists understand diversity as a guiding principle for social and individual action. Diversity does not demand the adaptation of the individual, but promotes the opening of society – and thus a basic attitude that recognises each person as valuable on the basis of their individual characteristics and abilities.

 
With its work, the association wants to work towards the creation of favourable conditions for living, learning and working together, focusing on the equal participation of people with mental, physical, psychological and sensory impairments and/or chronic illnesses as well as different cultural origins and sexual orientations in social-cultural and artistic life.

Direction and concept: Fabian Aimar | Performance: Diene Abdoulaye, Doris Geist, Sakura Inoue, Ulrike Knospe, Estefan Vega Leon, Beno Novak, Caline Weber, Sergey Zhukov | Choreographic accompaniment: Günther Grollitsch | Production: ProdArt e.V. | Supported by Landesverband TanzSzene Bremen.

 
Supported by: Senator für Kultur Bremen, Supported by the NATIONAL PERFORMANCE NETWORK – STEPPING OUT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR. Aid Programme Dance.

If the body could speak/ Robert Wechsler. tanz:digital II [Making Of]

 Dreharbeiten Palindrome Dance Company Weimar D 13.08.2022

“If the body could speak”, what would it say? This is the question Robert Wechsler, choreographer and director of Palindrome Dance Company, asked himself when he designed an installation that generates sounds as soon as a body moves over a special carpet. An inclusive work that allows people with disabilities to dance and produce sounds, but also a poetic exercise, in which with just a few movements we can become a waterfall, a guitar or a bird rising into the sky, overcoming with imagination the limits imposed by the body. The magic carpet exists, and not only in fairy tales.

 

The German Dance Film Institute Bremen builds in the context of tanz:digital II a bridge between the motivation of the realizing artist:inside and the thus focused circle of users. In concrete terms, this means that “making ofs” will be created for around 10 individual projects, preparing potential users, whether tech-savvy or not, for what to expect if they decide to entrust themselves to one of the many new offerings.

Tanz:digital II is funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR program, aid program DIS-TANZEN of the Dachverband Tanz Deutschland.

 

Nele Buchholz im Interview. Filmstill POSITIONS:DANCE #5 ACCESS. Films by Burkhart Siedhoff

 Dreharbeiten Dachverband Tanz Deutschland Bremen, Berlin, Köln u.a. D 1.8.2022 - 30.01.2023

 

 

“Inclusivity’ is now a central concept in the world of contemporary dance: but what exactly does it mean?
From a collaboration between the TAFI team and Burkhart Siedhoff of Dachverband Tanz, these interviews with some dancers with disabilities tell us how the world of dance can open up to different bodies, and poetics.

 

The symposium Positions:Dance #5ACCESS

What development must there be in German (contemporary) dance so that everyone has access? What impulses are needed so that we do not equate professional dance exclusively with protonormalistic body images and movements? Can cultural policy give impulses so that dance does not just open a door here and there for people with disabilities, but that the whole world of dance is open to them – with all the support and freedom for artistic development?

Together with artists, organisers and politicians with and without disabilities, we would like to discuss structures and funding so that people with disabilities have sustainable access to dance. We had originally planned this year’s symposium within the framework of the German Dance Prize from 13 to 15 October. In discussion with artists and cultural actors with and without disabilities, we developed the idea of leaving the usual format of a three-day tightly scheduled symposium and choosing a decelerated and more sustainable format with regard to the negotiation of the topic.

The 5 modules of the symposium will take place online and will each be dedicated to a focus of the theme ‘Access’, from dance education to questions of professionalisation and transnational perspectives.

 

https://www.deutschertanzpreis.de/symposium/symposium-2022

 

POSITIONS:DANCE #5 ACCESS is funded by the Federal Government Commissioner for Culture and the Media in the programme NEUSTART KULTUR, aid programme DIS-TANZEN of the Dachverband Tanz Deutschland.

 

 

poor? … pour les livres! Books are an endangered species. Exhibition on the occasion of the 25th anniversary of KOÏNZI-DANCE e.V.
Es gibt kein Kunstwerk, das nicht seine Fortsetzung oder seinen Ursprung in anderen Künsten hat. (Gilles Deleuze 1986) / There is no work of art that does not have its continuation or origin in other arts. (Gilles Deleuze 1986)
 Ausstellungsbeteiligung KOÏNZI-DANCE e.V. Poolhaus Blankenese, Grotiusweg 55, Hamburg D 18.6.-1.7.2022

A special place for a special event: in Poolhaus Blankenese in Hamburg, the 25th anniversary of KOÏNZI-DANCE e.V. is celebrated with a show. Founder and dedicated chairwoman Dr. Nele Lipp curates an interdisciplinary show to which 19 artists are invited to show their works on the theme “Books as an endangered species”. A festive program frames the exhibition: a discussion with three accomplished speakers, the premiere of the film “Bibliothèque sac à dos” by Dr. Nele Lipp and performances by actors: inside the film deal with printed works of various genres. Another highlight will be the auction, during the finissage, of the artistic backpack libraries created for the film by artist Burkhard Scheller.

 

Program

June 18, 2022
.
19:00: Opening with film premiere “Bibliothèque sac à dos” by Dr. Nele Lipp and live performances

.

 

June 26, 2022
17:30 Film: “Bibliothèque sac à dos” by Dr. Nele Lipp.
19:00 Discussion: are books an endangered species? with Michael Diers, Rainer Moritz and Wilfried Weinke

.

 

July 01, 2022
17:30: Film: “Bibliothèque sac à dos” by Dr. Nele Lipp
19:00: Finissage with performances and auction of backpack libraries

.

 

Registration and other dates in consultation: info@ koinzi.de

.

 

To all events: Admission free

 

At the exhibition celebrating the 25th anniversary of KOÏNZI-DANCE e.V. both members and artists invited to participate will show works on the given theme. On view are the following works:

Angela Breidbach – Ferdyfilm (StopMotion version), 2020/2021
.
Noam Ben-Jacov – Altar for a Book-Time, 2022
Tom Bunk – Ferdyfilm (comic version), 2020
Christel Burmeier – Röntgen, 2020
Doris Cordes-Vollert – Endless Text, 1997
Free in empty space floats a hole, 1998
and others.
Achim Lipp – From the life of books. Habitat cabinet, 1973/2021
Nele Lipp – Bibliothèque sac à dos (film, 61′), 2021/2022
Pierres Mémoriales, 2021
Ferdyfilm. A complete fragment (photo version), 2020
Ferdyfilm. A complete fragment (film version), 2021
Volker Lippens – Simulacra of education, 2021
Hannes Möller – Burn books, ash books, fragments, 2017
Wittwulf Y Malik – Ferdyfilm (image and music video version The Duel), 2020
Pino Polimeno – Libri Posati, 2020
Burkhard Scheller – library backpacks, 2021
Hajo Schiff – SHIP MESSAGES – books and metatext, 2022
Ursula Wagner / Burkhard Scheller – Ex Libris and book dances, 2008
Simon E. Waßermann – V e r s c h w I e g e n v e r s , 2022
VA Wölfl – The Chrome and You (scene photo), 2006 and Woodstock, 2020

 

***

 

The team of the German Dance Film Institute Bremen congratulates Dr. Nele Lipp, founder and longtime chairwoman of the interdisciplinary association KOÏNZI-DANCE e.V. and is pleased to document the vernissage on film.

Foto:Heide-Marie Härtel Inner Suspension (1). With Susanne Linke in Berlin

 Dreharbeiten Susanne Linke / Deutsches Tanzfilminstitut Bremen Berlin D 14.-16.6.2022

 

Masters are truly great for what they pass on to their students: they leave traces that settle over time, becoming footsteps that others can walk in the future. The Deutsches Tanzfilminstitut team went to Berlin to document the “Inner Suspension” training programme, developed by dancer and choreographer Susanne Linke. The aim is to record and pass on this basis of her working method. An immersive experience with the great choreographer and her closest collaborators.